Live Review: Eternal Struggle EP Release Show @ Levontin 7, Tel Aviv [19th August 2016]

Eternal Struggle

Coma 7

Ganza

I've shown a lot of love recently for local tough-guy hardcore band, Eternal Struggle. Although the shows I've seen them at prior to now have not had the best of turnouts, I've brought myself along to this special occasion; their EP release show. I've already sung my praises for Breaking & Entering (see review) so it is no surprise that I am here tonight in support of it.

Ganza

First band in support are Ganza. I've written about these guys twice before; the first time wasn't great and the second was good. Still with new singer Max, the guys sound and perform better than the previous show. Max is still incredibly enthusiastic, with his hair windmills and high jumps, and Ohad's guitar solos impress me more and more each time. The musicianship all round is pretty solid but their actual music style is still a bit all over the place, sounding like about 4 different tribute acts all in one. It still has the essence of some sort of college project as opposed to a real band. However, their songs are still catchy (e.g. Butterflies and Junkie) and they put on a good show, getting the crowd energised.  

3.5/5

Coma 7

  This is my second time seeing Coma 7 but my first time reviewing them. I remember first hearing something by them along time ago and thinking to myself "what decade are we in?" It was so nu-metal that I thought I was still wearing my Criminal Damage baggy jeans from when I was 15! The track I heard was actually poorly produced which ultimately let it down for me. However, it turns out that they are one of those bands that need to be witnessed live. 

  Yes, it is old school rapcore. Yes, it is reminiscent of bands like Clawfinger, Senser and Rage Against The Machine, of whom they covered (Killing In The Name, naturally). Yes, it may be considered dated by some...but damn it! I still have a soft spot for it. Frontman, Shimon, does sound a lot like Zack de la Rocha (RATM) albeit with a slight accent, which brings in the Zak Tell (Clawfinger) comparison. Even on their original songs, the solos by guitarist, Kobi, are straight out of Tom Morello's handbook. They also use politically charged lyrics, like on songs such as No More War, Pigs In Ties and Yeti, with its "We will not be controlled by you" refrain (that the band ironically manipulates the crowd into chanting. Haha!)

  Despite the comparisons, the cool, more drum n bass style beats by drummer, Elad, make things more interesting and I can't help but smile. The rest of the crowd were impressed too, getting up on stage with them and generally going crazy. If anything, Coma 7 are damn good fun!

4/5

Eternal Struggle

  They still might be a tad under the radar in the Israeli scene but Eternal Struggle have pulled in a pretty damn big crowd tonight. Maybe it's because of the support acts and the special guests all mixed together. Either way, the atmosphere is buzzing before their set even starts.

  To make things even more fun from the get go, we suddenly feel things fall on top of us, as foam tubes (aka "pool noodles"), beach balls and all sorts of inflatables are released into the crowd as the band open up the set with a yet untitled new song. (I wanted to do something like this for the Woolly Boy comeback show but didn't have the guts to go through with it.) Of course, a few people lose their minds and the place becomes a giant kid-friendly Jedi battlefield. With the band's down-tuned heavy hardcore in the background, it's a surreal yet also amazing moment.

  I will admit that the rest of the show is a little bit of a blur as I was just having so much fun either punching the air or pretending to ride a motorbike (my body does what the music tells it to). However, it is safe to say that the band plays tracks from their Breaking & Entering EP as well as a track called War and a song for all the footie hooligans, Fucking Football Fanatics. The latter sees the place go crazy, because Israeli metalheads like their football, apparently. Each to their own!

  
  As promised on the show's posters and event's info, the band had some friends join them on stage. Arie Aranovich (Ex-Hammercult/ex-The Fading) plays guitar on the beatdown filled crowd-pleaser Lost, which leads to bodies flying about the room and a lot of head-banging, Alon Karnieli (Sinnery) joins in on vocals for Pride Kills, Lemmy Keller (03/Sintax) plays guitar on the bouncy Repeat Nothing near the end of the set and both Eliav Torjman and Ben Saada of Canine join them on guitar and guest vocals respectively. Not only do the Canine boys help out on the Born From Pain-style anthem Tonight We March, this guest appearance brings about the highlight of the night - A FUCKING HATEBREED COVER! Even though they also do their usual cover of Sick Of It All's Take The Night Off later on in the set (for which I go up on stage and go crazy), it's actually hearing I Will Be Heard for the first time in ages which makes me scream at the top of my lungs. Man! I had forgotten how much I used to love that band...

I've said before in previous reviews that Eternal Struggle deserve a bigger and a more in-tuned crowd; tonight seems to have brought that. There may still be the odd person who has just come along to get drunk and shout "HEY!" at random points in songs, but who cares? To me, Eternal Struggle have two important things that I like in my hardcore - groove and beatdowns. It might not be groundbreaking but it does make me want to break shit!

5/5

Photos courtesy of:
Sharon Shapira (for Ganza)
Miguel St. Labao (for Coma 7)
Assaf Bergerbest (for Eternal Struggle)

Review: Eternal Struggle - Breaking & Entering EP [2016]

Finally! After years of perfecting their sound and playing shows, tough Tel Avivian hardcore outfit, Eternal Struggle, have released their debut EP, Breaking & Entering. Filled with five tracks of hardcore and groove metal inspired heaviness, this release is refreshing for both the Israeli hardcore and metal scene.

Proclaiming to take influences from hardcore big names such as Hatebreed, Terror and Madball, I also can't help but think of bands like London kings Knuckledust, Dutch hardcore outfit Born From Pain and even NY beatdown veterans Bulldoze (just a little bit). Although there is still a fair bit of standard one chord chugging here and there, it still sounds a lot heavier than most of the djenty "breakdowns" that so-called "hardcore" bands nowadays do. Most notably, in the track Lost, guitarist Omer plays a slow and heavy, hummable palm muted beatdown which will certainly cause ninja antics over in Europe if not in Israel, where it's not really the norm.

Throughout the EP, every song is groove heavy which makes me very happy. There's no "hardcore d-beats" on here, though. The fast bits seem to be mainly a simpler beat with the snare on every full beat and kick on every half (hopefully drummers know what the hell I'm on about. I don't know if there's a name for it.) It unfortunately makes a lot of the EP a bit samey and not as interesting as it could be. Normally, it could be a sign that the drummer is not up to it, but as the impressive fills in the likes of final track Pride Kills show, drummer Ori (aka Shiny) is certainly a more than competent drummer.

Vocalist Ori (aka Franko) has a very rough voice, reminiscent of previously mentioned bands, as well as sometimes touching upon the more shouting style of Lou Koller of Sick Of It All. Both the vocals and the lyrical content are not really anything new or ground breaking. There's even some pretty cliché sing along attempts, like in opening track Freedom Denied. Despite that, Eternal Struggle musically fill a gap that has long been empty in the Israeli scene.

For me personally, Breaking & Entering brings back memories of going into Camden almost every week to see the London tough guy bands and their European or American friends all playing crushing, groove based hardcore with beatdowns that saw everyone punching the air and spin kicking. I've sort of missed it. Hopefully, Eternal Struggle will reach the hardcore scenes across Europe and even stateside. They certainly have the music to do so but could do with a little bit more originality. 


 4/5

Review: Deceit - Disconnected EP (2015)

  From the land of fried mars bars, haggis and bagpipes, new Edinburgh hardcore outfit, Deceit, have dropped their first EP, Disconnected. 
   
  With a majority of "hardcore" nowadays being more of the slow, sludgy beatdown kind a la Desolated and Nasty, Deceit draw influence from more of the 90s/early 2000s tough guy hardcore that I grew up listening to in my teens. Made up of former members of War Charge and Frontline, they're actually very reminiscent of other UK bands, such as Knuckledust and early Stamping Ground. 
  From the very first track, Worn, Deceit deliver a mixture of grooves, tough vocals and cool riffs. The vocals throughout are very similar to those of Pierre of Knuckledust, only a tad more coherent but with also a little less aggression. On final track, Control, there is even a hardcore 'OOF', which, although used by a fair few tough guy bands, was almost identical to those of Pierre. 
  Personally, this EP takes me back to the hardcore that got me into hardcore and therefore pleases me a lot. The songs are mostly along the same context of the struggle within today's society which can be very relatable. It might musically have its similarities to other bands but it doesn't hide the band's talent. It's also nice not to hear shout outs about a crew or "being hardcore". 
  
  Fans of 90s/00s UKHC will definitely love Deceit, whereas those into newer bands might find it dated and unoriginal. There's no surprises or experimentation on here but the songs still manage to not sound the same. Control is certainly the EP's highlight for me, with its crushing groove and gang vocals, but every song is enjoyable and the production quality all round is impressive for an unsigned band.

4/5