First of all, for those who have no idea who they are, Daphneand Celeste (Karen DiConcetto and Celeste Cruz) were a pretty disliked pop duo who still managed to have a short successful run near the turn of the new millennium with a few playground insult related songs (U.G.L.Y and Ooh, Stick You) as well as a cover of Alice Cooper's School's Out. Despite being American themselves, I think this was very much a British thing, in the same way as Ruby Wax and Lloyd Grossman. They famously (somehow) got booked to play the main stage at Reading Festival (I don't think they did Leeds) in 2000 and were bottled by many a disgruntled "alternative" festival goer. After that, their reign just suddenly stopped, forever to be left in the vaults of our minds as the annoying girls who got bottled at a rock festival. Personally, being the open minded weirdo that I am, I didn't mind them all that much. I guess I also sort of had a crush on them both. Maybe half because of that fact and half because of my simply curious mind, I decided to do a search for Daphne and Celeste to maybe see what they were up to. To my surprise, I found a music video for a song that they released earlier this year.
Joining forces with electronic producer Max Tundra, the girls' single, You and I Alone, is a fair far cry from how they were a quarter of a century ago. Tundra has created a tune which is simplistic yet still catchy and even a tad "edgy" (make of that what you will). Quite honestly, this track could have had anyone singing on it. The girls are hardly doing anything challenging vocally and are still clearly being helped by auto-tuning. That aside, the chorus was in my head for ages after my first listen of this. I am also blown away by how they have both barely aged. Obviously, they've grown and matured somewhat but they look practically the same. Celeste, in particular, is still pretty hot. But don't get me wrong. That's not really important here.
If you're curious about the girls' new direction, check out the track below.
For those who don't know, especially if you're not American, Mark McGrath is the leading face of alternative pop rockers, Sugar Ray, famous for such hits as Fly, When It's Over and, my first introduction to the band back in '99, the radio smash Every Morning. I remember the latter hit but didn't actually like it at the time. A little later on in life, I discovered that the band had heavier beginnings with the likes of Lemonade and Brownies, which is still one of my favourite albums. As well as still touring with Sugar Ray, McGrath has essentially established himself as a very pretty man over the years. His looks (and, yeh ok, his personality, too) helped him get into TV presenting, including Killer Karaoke, and acting, including Shaknado 2. I'm unsure if the latter is much to be praised for. This year, McGrath has dropped his FIRST EVER solo offering in the form of the Summertime's Coming EP. For anyone familiar with Sugar Ray, this is actually not too much of a stretch from their sound. In a similar way to Gwen Stefani's solo work, McGrath has gone down the route of his band's more poppy and sunny anthems to produce a five song summer soundtrack.
There's been many an act who have released summer anthems and it has either made them or broke them. Canadians LEN, another favourite of mine, made a name for themselves out of nowhere with the poptastic smash hit Steal My Sunshine, despite being initially an alt rock and shoegaze influenced band. On the other hand, saxophone wielding hardcore punk outfit Dog Eat Dog (looove theeeem) had the song Summertime on their Walk With Me album. Via it's music video on Youtube, the band got ridiculed for having "sold out" and having generally made a "shit song". (I like it.) Seeing as Sugar Ray, like LEN and also bands like Smashmouth, made their muller out of songs to cruise beside the beach to, these songs on here should be no real surprise to dedicated fans and I for one am not all that disappointed on the whole. Opening song, title track and leading single (I think?), Summertime's Coming, gets you in a barbecue mood right from the start. We've got happy acoustic guitar strumming, a laid back hip hop beat, hand clapping, lahs, ohs and a catchy as hell chorus. Out of all the sunny pop songs that Sugar Ray has ever done, and maybe that anyone ever did, this has to be the most formulaic song to date. This doesn't mean that it's bad. It might be cliche and, to some, even cheesy, but, damn, it's uplifting. That "Summertime's coming, lala lala" chorus is totally infectious. Upon research, this song has actually been in Sugar Ray's live repertoire since 2013 when they were working on new songs. This begs the question: Why has this come out as a McGrath solo track and not on a brand new Sugar Ray album? Also, why is there no new Sugar Ray album? Are there band issues right now? Last track, It's Always Sunny, has the same vibe as the first song. It starts off as if it is going to be old fashioned and doo wop-like, but then it becomes happy and upbeat with a chorus you might end up singing for days afterwards. What The World Needs and Again and Again have more of a reggae/ska flavour that, for some reason, just don't get me all that pumped. They're both beautiful with a sweet sentiment. What The World Needs sort of reminds me of NOFX's pure reggae/ska version of Rancid's Radio; it has that same sort of pace and the same joyous sing-along, but really just seems cheesy in comparison. It's heavily Marley influenced, even incorporating the "woy yoy yoy" melody of Buffalo Soldier (or it could be the Banana Splits theme tune) near the end of the song. Again and Again has more of a 311 (great band) feel about it but the kind of 311 that I tend to not like so much. Just a little too slow and, frankly, a tad boring. It's nice and chill and would be great to lie in the sun to but could easily put you to sleep. The guitar parts add a little Santana feel but the song generally lacks power most of the time. Ease My Mind is somewhere between the two styles; the bouncy alt pop with a hip hop beat and the slow pop reggae. It's slow and chilled with a bit of a Latin vibe. The hip hop rhythm and the vocal melodies work well together to make it another sunshiny hit. I am almost certain that there is also a deliberate nod to Green Day as McGrath sings line like "It all comes back to you.." in the style of "It all keeps adding up..." from Basket Case. Could be coincidental, but it's a BIG coincidence. If you've ever liked Sugar Ray, or similar acts like Smashmouth, LEN or Fastball, and, of course, if you simply like Mark McGrath, this is worth checking out and is definitely great for a sunny day. Personally, I would have liked to have seen more effort put into a new Sugar Ray album as opposed to this EP. At least three of the five songs here would have worked just as well on an album amongst more rocky numbers; a mix that always pleases me when done right. I hope there technically still is a band right now... 3/5
After a lot of hard work playing shows and writing new material, Tel Aviv rock trio The Driers finally deliver new EP, See You In Never, featuring latest drummer Ben (Mad Choice/Zaga Zaga/a bunch of other stuff). As readers of my blog will already know, I have seen this band a bunch of times and enjoy their refreshing slab of 90s style alt. rock. The five tracks on this EP are all songs that I recognise and love. If I am not mistaken, these are also songs which have been in the band's repertoire for quite some time. Whereas some of the newer material I've heard in live shows are a little bit more along the Weezer style of alternative rock, the songs here could almost be considered pop rock. Contagious gets things off to a heavy start. Some thumping drums in the intro lead to an upbeat, rock-out number with a bouncy chorus. Although guitarist Ronnie sings the first verse, from thereon in we hear the now trademark sweet harmonies that her and bassist Tomer do so perfectly. Ronnie also sings main vocals for second track Who Doesn't and fourth track Porchlight. Who Doesn't is pure rock in the choruses but, due to Ben's drumming techniques, explores other rhythms and styles throughout the song. Porchlight sounds incredibly lighthearted and quite poppy. The intro is one of my favourites of theirs, as the opening guitar riff is soon accompanied by the bass that harmonises beautifully. The song can easily be mistaken as a cover of some sort of song by Shangri Las or even The Supremes, as it has a hint of that traditional style of writing plus an easy listening quality to it. Tomer takes up main vocal duties on third track Lipstick Buds and EP closer A.L.A.R.M, which makes sense, as they are both pretty bass led. Because of the bassline and the groovy drumming, both songs have quite an electronic/new wave sound to them. Lipstick Buds has it mainly in the first verse which then leads to the hard hitting chorus of "You want to be my never again". All Driers' choruses are easy to sing along to but this has to be the catchiest of them all. The song has interesting vocal melodies and a generally fun and uptempo nature. A.L.A.R.M could be considered the EP's party song due to it's disco beat in the chorus. However, Tomer's vocals and the song's lyrical content add dark undertones, making the song a little bit edgier than the rest of the EP. As I have heard these songs many times before, I was really hoping to hear something new on this EP. Luckily, we are promised a full length soon which will hopefully have some cool surprises. I love the band's use of harmonies, especially blending both a female and male voice together, similar to bands like Band of Skulls and Spiderbait. That, plus the musicianship and songwriting, make these songs very enjoyable, as long as you appreciate pop sensibilities in rock music....which I do. 4/5
I have been awaiting this album for quite some time now. Having fallen in love with the LA rock outfit Dead Sara since seeing the video for and hearing the song Weatherman, the self titled album blew me away. Frontwoman Emily Armstrong's voice stands out amongst many other singers out there right now, not even just the female ones. She is able to sing melodies that blend with guitarist Siouxsie Medley's sexy riffs in such a wonderful way. Dead Sara somehow manage to be both bluesy, heavy, energetic and mellow all in one album. The follow up, Pleasure To Meet You, has proven to have similar dynamics and just as catchy tunes.
I already posted two tracks from this album already, Mona Lisa and Something Good. Mona Lisa was a little bit harder to grasp at first; there's quite a bit going on in the song. After a while, you find yourself humming the intro, playing the verses in your head and every so often shouting "I KNOW WHAT YOU WANT BUT IT AIN'T GONNA BE WHAT YOU LIKE!" Something Good comes at you straight away as just a really sweet and well-penned country-tinged song. The melodies, both vocal and guitar, are something your gran could even appreciate, but there's enough bite that it just doesn't seem like a cheesy pop song. This song has already had a bit of airplay and TV exposure that I'd be quite disappointed if it doesn't become a massive hit. It's like a slightly harder HAIM song....and everyone likes HAIM, right? The song Suicidal was a good choice for album opener...unless it was purposely made that way. It shows the band's heavier side, in a similar way to debut album tracks such as Weatherman and my personal favourite Test On My Patience. I haven't asked the band themselves the real meaning behind the song, but judging behind the lyrics it does seem to be speaking to those who have ever thought their life wasn't enough and telling them that they should never give up. It seems to be almost laughing at one's own concept of wanting to end their life, which I for one can relate to. If this is not quite the meaning of the song, then that's at least what I take from it when I head bang along to "Run and blow my life away. I wake up to another day." All the songs on this album have something special about them; there's a little bit of something for everyone. Lovesick, Greaser and Feel Right At Home all lie in the mainstream hard rock category, with catchy choruses and mixtures of heavier and softer parts. "Baby we're lovesick" is a chorus you won't be forgetting in a hurry and Greaser's chorus will have you waving your arms side to side while also trying not to break into Buggles' Video Killed The Radio Star (you'll know what I mean). Feel Right at Home has more of a groove to it than the others, coming off a bit like Black Crowes (whom I love). Mr Mr has an almost Black Keys vibe. It has echoey guitars and bluesy riffs along with pounding drums. There's a riff at the midway mark and at the end of the whole song which gives the song a headbanging quality. Radio One Two is possibly the nearest this album has to a punk rock song. Starting off with more of a new wave sound, it breaks out into a joyous singalong. Every song could be considered to have mainstream likability. There are also two slow songs on the album; Blue Was The Beautiful You and For You I Am. The former is bluesy with an explosive chorus and the latter sounds at times like it could be an Alanis song (which isn't a bad thing) and is slow but builds and builds into something emotionally beautiful. If you haven't listened to Dead Sara yet and you consider yourself a rock music fan, then I suggest you get on it straight away. They are a super cohesive unit, with Emily's voice definitely being at the forefront. This album has every chance to hit mainstream success; hopefully, it already is. It's hard to pick highlights as it changes at every listen, but Radio One Two and Something Good stand out for me right now. Whether the album itself is as good as the self titled album, I don't know...but it definitely hits a spot. 5/5
Sometimes I'm a little late in finding a new single/video, sometimes I'm a little late on properly discovering a band and sometimes it's both. This post is the latter. I have known OF London based indie-pop/whatever-one-wishes-to-call-it band La Shark since about their beginnings in around 2009 but I never really paid attention to them. This is made worse by the fact that their bassist, Louis, and I are old college classmates. Over the years, he has evolved from a spiky haired wannabe DJ to a full on hipster Jesus. Anyway...the band itself has gained acclaim with their quirky and catchy 80s-like songs, which has lead to going on tour with the likes of Paloma Faith (lucky bastards!) Latest single World Wide Babes has definitely made me sit up and pay closer attention for two reason. 1) The song is pure cheesy pop sounding, with clever lines such as "Worldwide fame on the worldwide web gets you worldwide babes with held wide legs" getting stuck in your head and 2) the video is a funny send up of popular porn sites and series. For those who know me and know me well, it wouldn't surprise you that I recognise almost everything they are parodying here, such as Fake Agent, Money Talks (I'm guessing, unless there's another one I don't know about) and even Chaturbate. It's good to see that the band and the girls involved all have a sense of humour.
For those of you in London interested in checking these guys out live, you can see them on 1st May at The Bussey Building, Peckham.
Tonight, I have come to one of Tel Aviv's more trendy "nightclub" type music venues, Radio EPGB. I have been here before for a couple of shows and there tends to be a mix of locals who come in for the bar's ambience and showgoers coming especially for the bands. Tonight is the same sort of thing. As soon as I pass the bar, I can tell that the American Taglit crew is in. A whole group of American girls telling the Israeli barmen how much they love Tel Aviv, despite having only been here for 5 hours.
Jeronimo
After a bit of a wait, young rock band Jeronimo take the stage. For those of you who follow my blog, you may have read a previous review of this band when they headlined at Koro. Despite impressing me and the handful of other onlookers that stayed to watch them that night, it was a disappointing night for them. The other acts they watched and enjoyed left without even apologising. I think we can all agree that's not on! Even if I have to leave early for whatever reason when performing or watching a show, I would explain why to the acts I was missing and try and see them at another show. I am here seeing them again because they are a good band and deserve the support. There are luckily a few more people here tonight, not just the Americans surrounding the bar. Starting off their set with the slightly new wave sounding Doubt, there are a few people actually gathered paying attention and some of them were even dancing a little bit. As time goes on, more people are actively watching them and the venue itself fills up a bit more. We are treated to an array of fairly heavy tracks tonight including old skool rock number Scratch, groovy 'new' track Fast Walker and the full throttle rock track Aircraft Boneyard. The latter 2 both have dynamics within the song which help show the band's song structure abilities and that they're not just your average boring rock band. Frenzied track Geronimo doesn't quite get the reaction it should; a lot of people just standing around when they should at least be jumping or nodding their heads. The band were playing well. Bassist Eilon didn't always sound precisely on point but he was moving about a fair bit. When a musician is physically involved in the performance, you have to allow the odd bum note or being out of time. Guitarists/vocalists Yonatan's and Auriya's shared vocals help set them apart from most other rock bands due to the difference in tones. Auriya has quite a British new wave sounding, raw vocal where Yonatam has a nice clean rock tone. Drummer Itamar sounded pretty flawless and kept the band together; played a few epic big finishes. Hopefully everyone here tonight enjoyed their set but I have been getting the feeling that a majority of people here tonight are here for the next band. 4/5
Bones Garage
Having not done any prior research on Bones Garage, I was surprised by the beginning of their set for 2 reasons. Opener A.D.D. starts with dreamy guitars and a pounding rhythm that eventually picks up the pace; has that 65daysofstatic vibe. Had a really nice guitar melody. Then out of nowhere, this girl arrives on stage and starts singing. I didn't see anyone else on stage so I assumed one one of the guitarists was going to sing. Ariel is the band's front woman and as soon as she starts we are treated by quite a low, mature voice coming from someone looking quite a lot younger than the voice suggests. It has an almost Nico (Velvet Underground) quality about it. At first, I was a little bit put off by her accent....but it grew on me. As the song went on, it grew into something more than just dreamy indie. Drummer Dor was banging out some trippy dnb type beats. Those familiar with my blog or who know me personally will know that I'm a bit of a sucker for these sort of beats. Anything danceable gets my vote. It was a great opening track, as my and most probably everyone else's attention was grabbed.
The rest of their set is full of dreamy guitars with sweet and catchy melodies, the odd noisy guitar effects, pretty dual vocals and moody vibes. They have a bit of an 80s sound with a hint of that of...well...more modern bands who are heavily influenced by the 80s. There are some catchy songs such as Equals, Losing Myself and Seasons Breaks which have you humming (if not singing) along. Stand out track has to be the song which sounds almost "horror punk" but softer....which is funny because it turns out to actually be called Horror Show. There are some beautiful vocal harmonies between singer Ariel, guitarist Edan and, although I couldn't see him, the magical extra voice coming from drummer Dor. A singing drummer...that's another plus! The band did have a full house but it is not entirely clear if everybody there REALLY understood the band. I was pleasantly surprised by the band's mixture of styles. As interesting as the vocals were, it did seem a little off key at times. I did see Ariel cough a few times, so she may have not been on top form tonight. I hope to see them again on a bigger stage where they can have a bit more movement and where I can see the whole band. 3.5/5
A few months back, I had a few days listening to and watching videos of bands and songs I used to love as a kid or in my teens. I was just suddenly in the mood for hearing bands like London pop-rockers "A", British rocking dance act Apollo 440, Scottish electro-pop punk trio Bis and one of my favourite ever bands Reef. Living in Israel, I had to get used to the fact that there are some bands I might never get to see out here. I then see an event posted for a band name that I hadn't heard in quite some time. I actually had to make sure I wasn't imagining things. It turns out that 90s British electro pop act Republica, of all acts, were actually coming to Israel....of all places. I was typing on Facebook in capitals for about half a week when I found that out. I was deadly excited for a bunch of reasons. Firstly, I love it when a British band comes here. Secondly, I love it when a British band I actually like comes here. Thirdly, I love watching bands from yesteryear...so this was a fantastic combination of everything. I already saw Republica around 4-5 years at the O2 in Islington, London. That was also a reunion tour and I really wasn't expecting them this time around to ever come here. Coming into one of Tel Aviv's most well known music venues, The Barby, just a little while after open doors, there is only a handful of people here as DJs from Tel Aviv's most popular Brit Pop line, Bigmouth, are spinning tracks by bands like The Libertines, The Futureheads, Franz Ferdinand and The Smiths. It helped set the mood for the night as slowly but surely, more people started to flow in. As the Dj set grounded down to quite a sudden halt, everyone knew this meant only one thing....
Republica
As the band, consisting of original members keyboardist Tim (Dorney), guitarist Jonny (Male) and now including drummer Conor (Lawrence), ascend the stage, the crowd begins to gather and we all know that the legendary Saffron is following closely behind. She then appears and she's barely changed; hairstyle practically the same as when they started around 2 decades ago. The band kick off the night with their second ever single Bloke. I love this track and its "I'm gonna take you on" refrain, so this was a very good start for me. Saffron seems in good spirits and is really rocking out. The rest of the band, on the other hand, seem as though this is just a normal day at practice; turning up in very plain clothing and barely smiling. Looking around the venue from my spot in the corner of the balcony, I can see some people familiar with the song bouncing and singing along. I can't help but think that maybe the rest here tonight are just here for the obvious hits on repeat. As the set goes on, the band plays their other singles Rush Hour With Love, Drop Dead Gorgeous and, of course, Ready To Go. The latter two especially get the venue heaving. Almost everybody is bobbing up and down, probably in the same way that they did when they first heard those songs all those years ago. If anything, the songs actually sound a bit heavier than they once did. For Drop Dead Gorgeous, the band have added an epic sounding breakdown at the end. Drummer Conor is rocking a nice slow groove; even has him nodding his head a bit more than before. Ready To Go just sounds amazing. They warm the crowd up with a pre-recorded acapella intro and then have everyone in a frenzy as Jonny plays that unmistakable riff.
The band also play some older tracks from both the self titled album (Picture Me, Out Of The Darkness, Holly) and second album Speed Ballads (Try Everything, Millennium). There seemed to be a handful of people who knew some of these songs too. These are all new to me but sounded great, especially Try Everything and Millennium. Try Everything is a bit of slow 80s sounding rock number, a bit reminiscent of acts like Toyah, T'Pau and even Heart, just with a slightly more electronic vibe. I can see that some people aren't quite into it, but I was really liking it. The more I thought about it, I never noticed before how similar Saffron's singing style is to that of Toyah (Wilcox). Which is a good thing... The band delight us with new and more recent tracks. Titular track of last year's EP Christian Obey starts off sounding almost like a Lacuna Coil song, with Conor's heavy hitting drums and Tim's choir synth, but then leads into being a bit of a dark electro pop number. Two very new songs, German Accent and Hallelujah, also get played. Hallelujah gets a great reaction, with its joyous uptempo vibe and "I saw you there....Hallelujah!" chorus getting into everyone's head and singing along. If this song gets released as a single and doesn't regain the band recognition then there is not enough people in this world who understand what makes a great song. There were times during some songs where I felt that the pre-programmed beats were not actually in synch with the drums and generally with the rest of the band. Luckily, they were kind of quiet anyway, but as a drummer, it bothered me a bit. That aside, it was really Saffron who made this whole performance worthwhile with her energetic performance, captivating voice, great crowd interaction and, of course, sex appeal. I can't help but feel that the rest of the band is just along for the ride as they seemed less enthusiastic. They could have just been tired, I guess. Saffron continuously tells the crowd how much she loves us and how great a time they've had in Israel. She also thanks everyone involved in the show and all the fans. When they return for their encore, Saffron only very briefly gets political. She tells us how some people sent her hate mail for wanting to come to Israel but it didn't discourage her. She doesn't judge a country by its government; for that I applauded in agreement. For a band who are allegedly trying to brush off the "nostalgia" tag, I find it weird that they repeat both Drop Dead Gorgeous and Ready To Go for their encore. Everyone is still loving it. Due to the age range and amount of people here, there is a similar feel to some sort of high school reunion about 15 years on. Saffron ends the night with an incredibly heart-felt "Toda raba! Toda raba!" which has everyone even more in love with her. Over all, this show was not just a trip down memory lane but has hopefully shown people that Republica still have what it takes. 4/5 Photos come courtesy of Yuval Erel. Check out his blog here.
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