Live Review: Sugar Hill Gang / Lucille Crew @ The Barby, Tel Aviv [30th August 2016]

Once every so often, you will hear a name of an artist or band that you never expected would come to Israel. Sometimes it's because of the band being quite underground and for a niche market. Other times it's because the artist is so big and legendary that you don't imagine them coming to such a small country. And then there are those who are not only big and legendary...but that you didn't even know were still performing!
 As a part of their first ever European tour in over a decade, tonight sees the arrival of hip hop legends, The Sugar Hill Gang, to Tel Aviv's Barby club. Surprised by many people asking me "who?" when I mentioned I was going to see them, all it took was quoting the first line of Rapper's Delight to rectify that problem. Despite being on the same night of the release show for local queens of the underground Deaf Chonky, I could not miss the opportunity to see what The Sugar Hill Gang had to offer.

Lucille Crew

  With the Barby at about half its capacity by this point, the night starts off with opening act Lucille Crew. I have seen the name a lot on social media. I don't know much detail about the band, but they are an Israeli hip hop band, or groove collective, as they prefer to classify themselves. Despite hearing the odd song or two, which I was impressed by, I hadn't really paid them much attention. I had heard positive feedback from quite a few friends; tonight I get to see it for myself.

  Being a full NINE piece band, things already look promising as soon as they arrive on stage. I'm normally pleased if there is at least one horn player, so seeing a saxophonist, trombonist and trumpeter on stage is more than joyous. The band walk on to a "bring da motherfucking ruckus" playback (Wu Tang Clan). This makes me think that what we're about to witness to heavy as hell gangster rap. Unfortunately, it isn't but it's still damn good!
  Playing music that reminds me of Ozomatli, The Roots and Fun Lovin Criminals, Lucille Crew rightly deserve the "groove collective" label. Mixing both latin and Middle Eastern rhythms with an old school hip hop style, there's a lot of focus on groove. They seem to already have some fans in the audience, who dance and sing along to the likes of What The Hell, Big City and the horn-stab-tastic (should be a word..) Bounce.   Rapper Rebel Sun and vocalist Gal De Paz work great together. His Jurassic 5/Roots style delivery and her haunting vocals, that lie somewhere between Paloma Faith and Beth Gibbons (Portishead), compliment each other well. It's interesting to point out that the lyrical content, especially where the rapping is concerned, is actually quite sexually explicit and adult at times, although it all somehow manages to come across as so innocent and family friendly. The band altogether are fun and seem like a genuinely tight family unit. I was pleasantly surprised.

4/5

Intermission 

I don't normally talk about what goes on in between sets at a show. This is normally because nothing happens apart from some songs being played over the PA and the setting up for the next act. Tonight is different. Being a hip hop show, there are some b-boys in the house who just can't keep themselves from busting a move. A dance circle ensues and practically becomes an extra warm up act on its own. There still isn't a lot of people here by this point, at least not as many as I would expect for what I consider quite a major event. Those who are here are making good use of the time and the good music.

Sugar Hill Gang

The dancing dies down as sounds start coming from the stage. The band's Dj, Rob Temple, is stood by his decks and introduces the MCs. As original Sugar Hill Gang members the gigantic Wonder Mike and the suave looking Master Gee arrive on stage accompanied by the pimped-out Hen Dogg, all heads face towards the stage and cheering begins. The legendary rappers immediately showcase their decades experience as entertainers, interacting with the crowd from the start. They might be using clichés like "Let's tear the roof off" and "Do you guys know how to party?" but it would be more surprising if they weren't. 

 

  As the band go through a sprinkling of their own material, including classic track 8th Wonder, Fast Lane, La La Song (their collaborative house track with Bobby Sinclair) and a new song or two, they are met with smiles and a bit of boogying. However, a majority of the band's set is made up of half-covers of classic hip hop and r'n'b/motown/soul tracks. The Message naturally goes down quite well, as does a wonderful medley of r'n'b classics like Best Of My Love, ABC and "...Sex Machine". 

 

  Having already explained to the audience about their early days playing house parties and the club circuit, the band actually take to playing instruments. These guys don't just attempt to play, but they have some proper musical chops. As well as Master Gee proving that he has rhythm on the drums and Wonder Mike surprising us with his impressive finger work on the bass, it is Dj Temple who, after being in the shadows for the first half of the set, suddenly shows that he too has some pipes on him, as he takes on lead vocal duties while also playing keyboard. The band basically transport themselves to a practice room, having a bit of freestyle funk jam, touching upon the Crazy In Love/Are You My Woman lick as well as breaking into a little bit of the MJ classic, Billie Jean.

 Leaving the instruments behind, the gang get back to their 3 MCs and 1 Dj setup. As well as mentioning how great it is to perform under the Sugar Hill Gang name after all the controversy (check out the documentary "I Want My Name Back"), saying how much they've enjoyed being in Israel and how great the food is, the band also give thanks to their influences and everyone who has helped them along the way. This leads to another short cover of Purple Rain in honour of the late Prince. As sweet as this is, it's not until the legendary Jump Around horns start playing that everyone really starts..well...jumping! As the place goes nuts, the band suddenly slides into the classic Apache and is later followed by Sugar Hill's signature tune Rapper's Delight. Let's be honest...these two tracks are why most people are here tonight. They could just do these two tracks on repeat and the crowd would be happy. Apache brought on a dance craze made even more popular by The Fresh Prince of Bel Air and Rapper's Delight is forever considered the first song to bring rap and sampling to the US. They are both long standing party anthems and they have the same effect here tonight. The band even return to the instruments during Rapper's Delight, showing that they can actually play the Chic sample on their own.

Wrapping things off returning for an encore of random funk jamming, it seems as though Sugar Hill Gang really want to continue the party. Unfortunately, I think most of the crowd had already lost interest as soon as they realised they weren't going to do Rapper's Delight again. It is a bit of a let down that not enough people have come out to witness these legends reunited for such a special tour, but it hasn't seemed to have bothered them, persevering  and giving it all they've got and just a whole lot of LOVE.

4/5

All photos courtesy of Raz Mor

New song from hardcore mentalists Candiria

Top 10 bands that I don't understand

Being British born, albeit to an Israeli mother, I never really excelled at any other languages and only since moving to Israel have I become somewhat semi-bilingual. With music being an international thing, there are many bands in the world making music that I like but singing in languages I don't understand. Some bands have managed to gain success abroad, such as Rammstein (German), Babymetal (Japanese) and let's not forget frickin' PSY (Korean) but here is a top 10 list of bands that I listen to who I have no idea what they are saying.

Disclaimer: This also includes bands who might be singing in English but have very strong, unintelligible accents, thus qualifying for a band I don't understand.

10. Freedumb

I discovered thrash/punk band Freedumb from Norway very recently due to their latest album, Feeding The Tapeworm, being sent to me via Toxic Online to review. Although the majority of the album and their material overall does include English songs, they do have a good number of songs in Norwegian that I simply don't understand. They actually turn out to be the better songs, as the singer is saying the words with more conviction. This gives the song more meaning, even if I don't know what that is. Playing music along the lines of Dead Kennedys, Black Flag and Municipal Waste, Freedumb are worth a listen.

9. Shitty CT

This is cheating a little as Shitty CT are an Israeli band and I do understand Hebrew. However, I did not understand Hebrew when I discovered them after only just moved to the country. They also sing the Hebrew in slight Russian accents at times, so that can also be confusing sometimes. The band itself mixes rap, punk, metal and electro which confuses many people but I dug it from the start. Their latest song, Kayfuyem, is basically hip hop, sampling the song of the same name by singer Arsen Petrosov with rapping, all in Russian. Russian, for me, will forever be a confusing language.

8. Shabak Samech

Similar to Shitty CT, Shabak Samech, one of the most legendary rap/rock groups in Israel, sing in Hebrew and I also discovered them back when my Hebrew wasn't all that great. Because it is rapping, it is still pretty hard to follow it completely without having the words in front of me somewhere. This goes for other Israeli rap artists like Peled, Muki and Lukach.
Shabak Samech's early work is the stuff that I really like. It is more along the rap-rock lines, as apparently they were influenced by the likes of Dog Eat Dog and Beastie Boys back in the day. The last stuff they brought out was also good but more hip hop based. I don't think old school fans were all too impressed.

This song is called Al Tagidu Li (Don't Tell Me).

7. Sand

Along with mentioning bands I technically do understand now because of my improved Hebrew, putting Japanese hardcore band Sand on this list might be a bit of a curveball. I mostly know Sand through their music videos and that's the only way I can understand them. They luckily have the lyrics come up on screen so that we can follow. This is not a translation, however, as the band actually seems to be singing in English just with the strongest, most unintelligible Japanese accent. Not anyone's fault, to be fair. I tend to flick in between finding these guys to be a joke to just loving it regardless. Either way, the music is tough as hell!

6. Netral/NTRL

Netral, now known as NTRL, are, in my eyes, the Indonesian Blink 182. I discovered these guys through a video of a kid drumming along to their song Cinta Gila and thinking to myself "I like this! This is nice." Upon further research, I found other songs just as nice and even others more punky. They have great melodies and are just great musicians. I think it's actually quite a crime that they are not more widely known. Their latest album, 11/12, came out last year.

5. The Blue Hearts

Back to Japan (you'll be seeing a lot of Japanese bands on here, actually). The Blue Hearts are a really old Japanese punk band. I discovered them through a cover of the song Linda Linda that Andrew WK did. Turns out, a few other bands have also covered it, as it is quite a classic song. I listened to some greatest hits of theirs and just really liked them. Haven't a clue what they are saying or even what most of the song titles are, but I know what I like when I hear it!

4. PUYA

A little break from Asia now, as we head over to San Juan, Puerto Rico where the band PUYA originated from. I still can't quite remember how I discovered PUYA. I think it was by accident or just when going through a bunch of rap metal bands on Youtube. However it happened, I somehow saw the video for the song Fundamental and was simply kicked in the balls by its amazingness. The song flicks in between latin music with brass section and full on shouty rap metal. I downloaded the album of the same name, which is mostly in Spanish. Even though I learnt Spanish in my teens, I don't really understand it. At all. But the music is amazing. The band apparently had great success, especially with Fundamental. Their latest release was the live album Vital back in 2014.


 

3. Maximum The Hormone

Along with Babymetal, Japanese nutcases Maximum The Hormone are now quite widely known. I discovered them quite late through a video that started to go viral. I still don't know what the song is called, but it's the song where the only English in it is "Stop, stop, whinny upload." Apparently it's about an old software...I don't know. The song was just a big bag of genres and the video was pretty crazy with strange imagery and effects.
Maximum The Hormone are simply mental. Both lyrically, musically and on stage. Some people are familiar with them because their music has been associated with the anime series, Death Note. I wish I could understand Japanese because if the responses from their Japanese fans are anything to go by, they are bloody hilarious.

2. Back Drop Bomb

Another band that I don't quite know how I discovered them. Back Drop Bomb started out like the Dog Eat Dog of Japan. They played rock/rap crossover music and had a saxophonist. In more recent years, the band have reached into territories that bring to mind 311 and even Linkin Park. They are still incredibly creative and enjoyable to listen to...I just haven't got a clue what they are saying, most of the time. I think, like Sand, they are actually singing in English for a majority of songs. It's just hard to tell. Regardless, their earlier work is simply some of my favourite stuff to listen back to every now and again. They have a split EP coming up with the band Husking Bee. 


 

1. Mad Capsule Markets

And finally, still over in Japan, the band I consider my number one favourite band I don't understand. Mad Capsule Markets hit the UK market big time in around 1999 with the album Osc-Dis. With digital music channels like MTV2, Scuzz and Kerrang TV, videos for songs like Pulse, All The Time In Sunny Beach and Good Girl got a fair bit of air play in the UK. I never actually got into their albums back then as I was stuck in a bubble of local hardcore bands but I always had a fondness for those hits. I started listening to their discography later in life and they are now a massive influence on me.
They developed their sound throughout the years, but it's always been punk with an industrial leaning, later being also considered digital hardcore. I love them because they have many genuinely catchy songs and just an amazing intensity. Even when songs titles are in English, the songs are mostly in Japanese with the odd English bits thrown in. There are other songs where the song might be in broken English with some Japanese rap parts thrown in.
 Such a shame they are no more as I would have loved to have heard what they would come out with now and see them live. Former vocalist, Hiroshi Kyono, did continue with his own digital hardcore project, Wagdug Futuristic Unity, which is also very impressive.




Are there any bands here that you guys also love? Are there maybe any bands that you think I should be listening to? Do you know any good Korean hardcore bands? Does that exist? Let me know.

Live review: Little BIG @ Gagarin, Tel Aviv [28th July 2016]

Once again,  I have taken myself along to a show for an act whom I previously was not really familiar with at all but thought could be interesting. Having checked out some songs of theirs already, I thought I'd give Russian party band, Little BIG a try. 

  Upon entering Gagarin, I notice a slight change in the place. Not only have they moved the bar to the other side of the room but they actually knocked a wall down to make more space for both the bar and actual floor space. There even seems to be a door or 2 on this side of the room which were not there before, so they've done some good renovations since I was last here. When speaking to someone I recognise from other shows, I find out that the event started earlier than I was lead to believe, thus missing opening act Shitty CT, a peculiar band from Akko, North Israel, that mix punk, rap metal and electronica. They are not everyone's cup of tea, especially on the punk scene, but I personally really like the style. Apparently, tonight was a special sort of electronic set as opposed to full live band, but it's still such a shame I missed them and I can only apologise.

  In the lead up to the main event, there is a mixture of drum n bass, edm, hip hop and even ska playing over the speakers. Whereas normally people would just be standing around talking in between bands, there is already a party atmosphere going on, as groups of friends and couples are dancing away. Even I can't help but nod my head and tap my feet a bit. It is interesting to see that there's a mixture of people out tonight, including metalheads, street punks and some proper ravers in bright coloured skimpy clothing. Music really does unite all sorts of people... 

  Eventually, the warm up music dies down and a guy in sunglasses comes on stage and you just know he's got to be with the act. Who wears sunglasses indoors? This turns out to be the band's DJ, Sergey "Gokk" Makarov, as he takes his place behind the decks. He is then followed by the tattooed and scary looking Ilya (Prusikin) and Olympiya (Ivleva), who is basically the "little" in Little BIG. They start the show off with latest album Funeral Rave's opening track, To Party. This is the perfect song to get things going, as its pounding techno beat and Olympiya's sweet vocals (although I can't say for certain how much of it was live) make a great combination for a proper rave anthem. The crowd is already jumping and the atmosphere is electric.

  As the show goes on, the crowd gets treated to tracks from the band's debut album, such as With Russia From Love, We Will Push The Button and Pump It, all getting the crowd equally as hyper as the next. After a while, I think the band begin to realise that a majority of the venue is Russian, or at least Russian speaking, as they start shouting out things I don't understand that get a huge response from the room. This is kind of cool, as it must make both the band and the audience more comfortable. As well as the Russian, I start to hear something that I was so certain was Mr Plough (Simpsons, anyone?) but turned out to be a chant for band member Mr Clown, who then comes from the side entrance to the stage. Not only is he in clown makeup and a clown wig, but he is wearing a ice hockey shirt with his name on the back. This instantly makes me think of Juggalo acts like Insane Clown Posse, and that's not necessarily a bad thing. This addition to the show takes things up a level. Mr Clown really connects with the crowd, speaking mostly in Russian, and just brings this energy which we didn't even realise was missing. He's closely followed by newest live band member Sofia (or Sonya?), who adds to the sexiness that Olympiya had already brought to the stage, wearing tight spandex and gyrating about the stage. A "mosh pit" actually erupts as the song Dead Unicorns gets underway. This song, along with the next song, Fucking Asshole, again brought to mind the Juggalo rap genre. Whereas the former song has violent lyrical content and a darker electronic vibe, the latter relies on a circus theme-style loop while rapping obscenities. Both songs are ridiculously memorable and possibly the highlight of the show for me, along with the infectious Life In Da Trash and the anthemic Every Day I'm Drinking, which got people throwing their arms and legs all over the place. 

  Little BIG are basically the result of Die Antwoord and Scooter having a baby and giving it up for adoption to a poor Russian family. It's fist pumping party music with some pretty silly lyrics ("My dick is big. My dick is very big"). Their live show, at least tonight, is simple, with no backdrop or special effects or anything. They don't need it and we, the audience, certainly didn't need it to have a good time. All band members are engaging and full of energy, even Sergey, who jumps on the table of his decks now and again. He seemed to be mostly pressing play and throwing in the odd klaxon sound most of the show, so it was good to see him actually joining in on the fun. It could very well be that most of the crowd are drunk and/or high which adds to the high octane reception but as a sober viewer, I was still smiling from beginning to end and there was never a dull moment. 

All photos come courtesy of Tom Hooliganov 

4/5

Check out the Gathering of The Juggalos 2016 Infomercial

Do you not know who Insane Clown Posse are? Have you never heard of Juggalos? Have you never seen a Gathering Of The Juggalos infomercial? Well, here's a chance to clue yourself in.

Insane Clown Posse are a horror inspired hip hop act from Detroit who spawned a whole genre of rappers with clown paint talking about murder and "neden". Along with the genre came a fanbase which got nicknamed Juggalos. Although Juggalos are primarily considered "white trash" who do a lot of whippets and drink Faygo, I, a Londoner from a pretty middle class upbringing, always saw myself as a Juggalo at heart. I remember seeing the video for ICP's Hocus Pocus when it came out and was mesmerised by these rappers in facepaint.

Over the years, I got myself more familiar with  ICP as well as others from their Psychopathic Records label such as Twiztid and Boondox and related artists such as HedPE and Wolfpac. The Gathering Of The Juggalos, ICP's annual festival, has always really appealed to me. As well as having some amazing names from the hip hop world, they also tend to have some metal or hardcore bands in the mix. This year, GoTJ 17, they've managed to get old school rappers like Bone Thugs N Harmony and Slick Rick on board, as well as metalcore acts like Suicide Silence, Attila, Asking Alexandria and Emmure. Despite being from a more hardcore background, I'm actually more excited by Bone Thugs N Harmony. I don't even really listen to those metal bands. There is still regular metal acts such as GWAR in their latest lineup and HedPE who I've always really liked. TechN9ne is a regular of the festival too. He is probably the main Juggalo related rapper who is even considered outside of the Juggalo "world" as a genius and is loved pretty much by all.

Check out the video for the rest of the lineup, including more rap and metal acts, as well as comedians and other entertainment throughout the weekend. I always like checking it out for discovering new acts or acts I've never heard of before. Deranged horror rock duo One-Eyed Doll and the cocaine loving rappers The Dayton Family both really stood out for me. The infomercial itself, as always, is funny, although as the years go on it has become more purposely comical whereas before it was just weird. Early infomercials even brought forth a bunch of Saturday Night Live parodies. This year, the makers of the infomercial seem to have taken on board SNL's jokes and run with it. This is pretty much a parody within itself and would thus make it hard for anyone to poke fun at.  

And I am actually quite interested in this year's festival. Are any of you guys going?

Spraygun War Is Buckcherry Gone Dubstep

I am seriously unsure of how to feel right now. Despite other people's views, I still like Buckcherry. I loved the self titled debut, I liked Time Bomb, they then had some hits which were "ok", in my opinion, and the more recent FUCK Ep and Rock n Roll album had them sounding more like their old material again in parts. I've even been known to admit to having a bit of a man-crush on frontman Josh Todd, despite looking like a tattooed Willem Dafoe in hindsight. Mr Todd and Buckcherry guitarist Stevie D have created a side project that goes in a completely different direction to their hard rock roots.

Spraygun War is the duo's new dubstep style outfit and no...it doesn't seem like a joke. Personally, their track OMG could be sooo much worse....but it could also be sooo much better. I don't have that much of a problem with dubstep in general but this isn't even all that creative for the genre. Josh Todd's rapping (yes, rapping!) lacks any real substance. Josh tries to tackle the tricky subject of war and religion but it comes off like a cliche activist preaching to passers by. The chorus does have a bit more bite to it but on the whole the song is pretty weak. Even the guitar stabs don't do much for the track.

OMG's video is annoyingly pretty well shot; simple yet affective. It does feel weird to see Josh Todd acting younger as time goes on. In the video for their expletive cover of Icona Pop's I Love It, the Buckcherry frontman is sporting a NWA cap. In this video, he is sporting his very own Spraygun War cap. That's right! They already have their own caps!! Along with the tattoos, the chains, the wifebeater and shooting the video next to urban graffiti, it's all slipping into Escape The Fate territory and is, quite frankly, embarrassing. 

All that being said, I respect them for attempting something different to the more traditional hard rock they normally do. It shows that they're more open minded than some "ageing" rockstars, although it could be an attempt to "get down with the kids". Spraygun War's Ep Into The Blackness is due for release June 10th. Guess what... I'm probably going to check that out purely out of curiosity.

Some new videos from Israeli bands

Seeing as this past week was the anniversary of Israel's independence, I thought it would be fitting to do something I haven't done in a while. Here are some (fairly) new videos from Israeli bands and what I think of them.

Saint God - Narasvette

First up is the Tel Aviv based Saint God. I've seen Saint God once before and was impressed by their creativity and mixture of genres (see review). Having already released their first album Montefiore (which I should review at some point), the duo also released a single, Narasvette. I found the video by accident via BlankTV. Well done on the boys for getting themselves on there.
 The track is pretty much in a shoegaze vibe, with dreamy, fuzzy guitars and echoed vocals. The video features Italian dancer, Giualia Piana, whose free spirited movements fit the flow of the song perfectly. The video is professionally shot and should be getting more attention.

The Fading - Solitude Express

 When it comes to Israeli metal bands, I'm still not 100% clued in. The Fading is a name I have seen and heard a lot since I moved out here. I'm actually still not sure if I've ever seen them but they must be doing something right. Their In Flames style metal has given them fairly wide spread success, most recently gaining them support slots on tour with the likes of Five Finger Death Punch and Bring Me The Horizon.
  The band's latest video is for Solitude Express from their last album Till Life Do Us Part. The video is mostly of the band in their rehearsal room, along with a few snippets of live performances and general "band stuff". The song itself is a good slab of modern metal, with thunderous drums, melodious riffs and growling vocals. I tend to prefer my metal a little bit more creative or fun and thrashy, but for what it is, it's certainly better than some of the more metalcore of bands who use bad clean vocals.

Jack The Envious - Wonderwall (Oasis Cover)

 Speaking of bands with bad clean vocals, have you met Jack The Envious? In all seriousness, despite being unimpressed with the band's original material from the Pull You Down album (another album I'm yet to review), I have been made pleasantly surprised by this total reworking of the Oasis classic, Wonderwall.
  To many, this might be considered "sacrilege" and that most Oasis songs are "untouchable", but even if you don't like Jack The Envious and this genre in general, you have to give them points for creativity. If someone was to hear this without being told what it was, they probably would not guess it was a Wonderwall cover until the first verse starts. The music is pretty much rewritten and given the "easycore" treatment. Apart from the closing melody of the song, nothing much from the original has stuck. The essence of the chorus is still there vocally, it's just been given some added double kicks and chugging guitars. The video sees the band roaming around a big house while playing and swapping instruments, eventually ending in one big house party.
  Probably out of all the covers of the song that have been done over the years, this has to be on the list of the most interesting, even if it does lack the punch that one would hope from this type of band. Taking the iconic drum solo out of such a classic song was definitely a risky move.

Shredhead - Devil's Race

  Yet another Israeli metal band who I don't know as much about as I should; Shreadhead are back after a breif hiatus, dropping this video for Devil's Race which comes from their second album Death Is Righteous released last year.  I've seen them a couple of times but nothing ever really stuck with me. Might just not be my bag, but they are one of the more popular bands that manage to gather fans from both the metal and hardcore scenes.
  The song takes in bits of thrash and death metal, mixing it with an anthemic Pantera-like chorus. The video largely features multi-camera live show footage with crowd close-ups as well as some tour bus/backstage stuff. The concept might be nothing new, but we get to see both the band and the crowd really giving it their all.

Matricide - Unreality

Here's another one. It's funny how many of these videos are actually coming out along time after the album's release. Unreality comes form Matricide's 2013 album, When Random Turns To Fate. Like Shredhead, Matricide are also doing pretty well for themselves out here in Israel, but I'm not entirely sure how well they are doing elsewhere. They are doing that popular Djent-influenced style metal that I'm not all that into but can appreciate why others are.
  This is quite an epic video, almost like a little movie, and the song is a little bit too long for my taste. However, it's well crafted and the musicianship is pretty flawless.

Peled - Ba Be Boom

Some hip hop now. Peled (apparently from Menchamia very close to the Jordan border) is one of those rappers that also moves in the Israeli alternative circles. Ba BeBoom (Hit You With A Boom) comes from the latest album HaKol Alay (Everything's On Me). It's the kind of rap rock mix that was popular in the early 00s. I just happen to be the type of person who still likes that sort of thing.
  I might still not be all that great with following rap in Hebrew, but you got to appreciate the flow. The video is like most southern (USA) hip hop videos. You've got a bunch of cars in a field, dirt bikes, smoking and some breakdancing. Although old concepts, it still comes across as a pretty fresh video and you can't fault the track...unless you're not into that kind of thing, then say what you like. 

Kitat Omanut - Chalumot Gadolim

Going to finish this off with something more punky from Kitat Omanut (Art Class). Hailing from Netanya, these guys play a mixture of alternative and punk rock. Chalumot Gadolim (Big Dreams), from the Rock Yisraeli (Israeli Rock) album, has a bit of a Brit Pop flavour while also sounding like Israeli alternative acts like HaShpung Shel HaPita (The Roll of the Pitta??) and even Israeli punk legends Bo LaBar (Come to the Bar). Both the song and the video are short and fun but I just can't help feel that it's maybe a little bit dated. But what do I know? I still like old Smash Mouth...

Live Review: IndiRegev @ Ozenbar, Tel Aviv [15th October 2015]

Ha Pussy Shel Lucy
Sagol 59
Skarate Kid
OSOG


Oh, Ozenbar! It's been a while. It's certainly been a while since any show vaguely punk related has happened here and tonight sees a show headlined by one of Israel's most legendary punk bands, despite having a name that implies it's purely reggae. It is actually an interestingly mixed bill tonight, with the crowd also being a mixture of street punks and reggae lovers.

OSOG

Starting tonight's proceedings off is On Shoulders Of Giants, more commonly known now as OSOG. I've been aware of the band and even know guitarist Shmida (HaPussy Shel Lucy) for quite some time but I still hadn't seen them. I checked out some acoustic videos online and didn't really know what to make of it.
   Live on stage, OSOG perform as a seven piece, including a fiddler, a ukelele player and someone doing the ol' slide guitar. I suddenly realise that they are not the ska band someone had once described them to me as being. Throughout their set, the gang play a mixture of blues, country and folk which still manage to get some punks in the room having a boogie.
  Personally, with the exception of the well crafted political number Government Is Organised Crime, it's all a bit "text book". Seeing as it's blues and country, they're of course sticking to the structure, meaning 8 bar blues, classic chord progressions etc.. Some songs even sound familiar. Keep Calm (He's Dead) is practically Johnny B Goode with different lyrics and Wake Up In A Jacuzzi takes its hook from the Everly Brothers hit Wake Up Little Susie.
  As old fashioned as their style of music is, all seven of them manage to have a great deal of fun on stage.  It could be said that they look like a pretty hipster folk band, but they somehow manage to add a bit of punk energy to the whole performance. Front man, Avital, seems to be a very natural leader and has a perfectly hairy presence.
   OSOG's songs, despite being a tad unoriginal at times, are still undeniably catchy and they certainly make some great bar music. I just imagine that even to dedicated country/blues fans this is going to seem like nothing and maybe even a bit gimmicky. Do they really need that many people?
3/5

Skarate Kid 

   I have been meaning to review this band for a while. Skarate Kid are a new name in ska. Actual ska. Not ska punk, but 2-Tone influenced ska. And reggae. They just happen to include a few members of punk bands, including Itay (saxophone) and Gofen (bass) of HaPussy Shel Lucy and Doh Doh (guitar) of Mad Choice/Beer7.

    The name already makes you smile, but seeing Itay arrive on stage in a "Karategi" is what really makes them special. The band's style of ska and reggae is something that this country, especially in this scene, hasn't really seen for a while. Their shows so far have already managed to get in a good crowd, but tonight they do the Ozenbar proud by getting a good amount of people into the main area to check them out and have a bit of a dance.
   The band have well crafted songs, taking influence from some of the darker sides of bands like The Specials and The English Beat as well the more reggae side of bands like The Clash. In the same way as old school 2-Tone, a number of their songs have political or at least socially aware context but there is generally an aura of positivity and good vibes. That comes through in the performances too, especially as Itay bounces about on stage and gets the crowd riled up at every opportunity. As great as the rest of the band are, Tal (guitar/lead vocals), Doh Doh, Gofen and Liri (drums) are unfortunately upstaged by Itay. They all get into the spirit of things, dancing about on stage and joining in on vocals, but in comparison, they all seem just a little too chilled and reserved. However, the music is generally laid back, so Itay's antics sometimes seem a little out of place yet undeniably entertaining.

   While watching Skarate Kid, especially tonight with Itay kitted out and Gofen dressed up a little bit, the band (in a similar way to OSOG) come off just a tad gimmicky. As well as playing saxophone, Itay does dancehall-style toasting and does it in a fairly strong Jamaican accent, using Jamaican colloquialisms. There's nothing wrong with dressing up and incorporating things into a stage performance to create a persona, but when you're essentially a serious band, putting on an accent can seem a little fake. Some people in this PC world of ours could describe Itay (a candidate for Hipster or Hasid) as almost mocking Jamaican toasting by putting it on in such a way. However, one could also say that the Israeli and Afro-Caribbean accents are not too different and that it's something that comes naturally to him, like with Matisyahu. They are playing reggae, after all. Either way, when he takes lead vocals on Sleng Leng, it's clear to see he's a born performer and the place goes crazy. Fake accent or not, man dem ga skillz.
  Skarate Kid are definitely a band worth seeing if you have any interest in reggae, ska or even dancehall and I'm looking forward to a full record soon.
3.5/5

Sagol 59

   I turned up tonight not having a clue about Sagol 59. I assumed it was a band. I was therefore a bit surprised to see a DJ and a rapper on stage. Not one to shy away from a mixed bill, I got myself a space near the stage to try and soak in the performance.
  Israeli rap and hip hop is still a bit of a new territory to me, really only relating to acts like Shabak Samech and Peled who have a punk/alternative music connection to them. While watching Sagol 59 tonight, his style doesn't really do anything for me. It sounds like bedroom rappers; just the same sort of unimaginative flow throughout. Lyrically, from what I could make out (as I still have problems following Hebrew lyrics live), he has some good content, although he tends to overuse name dropping, especially in his freestyle, which comes across as a bit lazy and a ploy to gain some credibility. He evens name drops local punk band member friends of his. Although I did initially find that kind of cool to her names of people I personally know, it started to come across like slipping names into every other line is what he does.
  Dj Popalova is on the decks, or technically the laptop and one turntable. His transitions, where there are some, ware pretty good but I'm not entirely sure what he's doing with the turntable. There is no outstanding scratching or interesting use of samples, only a scratch here and there which isn't too impressive. It sort of reminds me of the guy from Sleaford Mods who just presses play and then stands around bobbing his head and drinking a pint. The backing music in general sounds a little outdated, but Sagol has apparently been around for a while, so the tracks themselves might be from a while back.
  Main highlight tonight is the guest rapper they get to come up (name?). He has a more interesting flow than Sagol 59, with changing patterns and a tougher, more convincing delivery. It also wasn't until he took the stage that people in the crowd start cheering and going "Ohhh" in between lines.
   It was nice to get a little hip hop into tonight's show but, personally, it wasn't the best performance I'd ever seen.
2.5/5

City Rats

City Rats, eh? I'm not going to say much I haven't already said about City Rats in previous reviews. I start to love them more and more every time I see them. They're pure street punks but some of songs are hardcore to the bone, especially ever since they got Not On Tour's Gutzy on the drumming throne. I still stand fixated as he crosses his arms playing both the hi hat and floor tom at the same time.on the track 2012.

   The crowd goes crazy as the guys smash through their set. You definitely don't need to be drunk to enjoy City Rats, but it does seem to be the protocol, as people of all ages fall over each other while these Russian-Israelis sing about life as they know it and, most importantly, beer and partying.
4/5

HaPussy Shel Lucy

  Having seen this band about twice before, I've always enjoyed them but still never properly fell in love with them. HaPussy Shel Lucy also seem to have gone from being a very important band in the Israeli punk scene to more of a band just for diehards. Unless more people are going to their shows in other cities, the turn out tonight, compared to the almost full Barby show I once saw them at, is pretty small.
  I unfortunately missed the very beginning of the guys' set, but entered to the sight of people already running around and pointing in the air. Although the band still plays punk rock, there's a hint more of a ska punk feel on the later stuff due to the band's inclusion of Itay on saxophone two years ago. Sometimes, it even goes into Dog Eat Dog territory, which, for me, is awesome!
  There's a lot of crowd participation on big hits such as Vodka Redbull, Batlan (trans. slacker/bum) and Haruach Peudalit (unsure of the best translation for this). A friend of mine even leaves the show with his shirt completely ripped front and back. I'm not entirely sure what was going on to result in such destruction but whatever it was, it didn't seem to phase him or anyone else.
  As great as the band's classic songs are, a personal highlight for me was fairly new song Sum Chadash (A New Drug?) which they play as a sort of encore at the very end of the set. It's a blend of punk rock and ska moments which bring to mind some of the heavier material by The Urge, an absolute favourite of mine.
  If HaPussy Shel Lucy didn't bring a sax player into the mix, I am not too sure how I would feel about them. This addition gives something new to the Israeli punk scene and has almost helped the band reinvent themselves. I'm definitely looking forward to the new album.
4/5

(If anyone has any HaPussy Shel Lucy pics, please send them my way.)

Review: Mark McGrath - Summertime's Coming [2015]

For those who don't know, especially if you're not American, Mark McGrath is the leading face of alternative pop rockers, Sugar Ray, famous for such hits as Fly, When It's Over and, my first introduction to the band back in '99, the radio smash Every Morning. I remember the latter hit but didn't actually like it at the time. A little later on in life, I discovered that the band had heavier beginnings with the likes of Lemonade and Brownies, which is still one of my favourite albums. As well as still touring with Sugar Ray, McGrath has essentially established himself as a very pretty man over the years. His looks (and, yeh ok, his personality, too) helped him get into TV presenting, including Killer Karaoke, and acting, including Shaknado 2. I'm unsure if the latter is much to be praised for. 
  This year, McGrath has dropped his FIRST EVER solo offering in the form of the Summertime's Coming EP. For anyone familiar with Sugar Ray, this is actually not too much of a stretch from their sound. In a similar way to Gwen Stefani's solo work, McGrath has gone down the route of his band's more poppy and sunny anthems to produce a five song summer soundtrack.

  There's been many an act who have released summer anthems and it has either made them or broke them. Canadians LEN, another favourite of mine, made a name for themselves out of nowhere with the poptastic smash hit Steal My Sunshine, despite being initially an alt rock and shoegaze influenced band. On the other hand, saxophone wielding hardcore punk outfit Dog Eat Dog (looove theeeem) had the song Summertime on their Walk With Me album. Via it's music video on Youtube, the band got ridiculed for having "sold out" and having generally made a "shit song". (I like it.) Seeing as Sugar Ray, like LEN and also bands like Smashmouth, made their muller out of songs to cruise beside the beach to, these songs on here should be no real surprise to dedicated fans and I for one am not all that disappointed on the whole. 
   Opening song, title track and leading single (I think?), Summertime's Coming, gets you in a barbecue mood right from the start. We've got happy acoustic guitar strumming, a laid back hip hop beat, hand clapping, lahs, ohs and a catchy as hell chorus. Out of all the sunny pop songs that Sugar Ray has ever done, and maybe that anyone ever did, this has to be the most formulaic song to date. This doesn't mean that it's bad. It might be cliche and, to some, even cheesy, but, damn, it's uplifting. That "Summertime's coming, lala lala" chorus is totally infectious. Upon research, this song has actually been in Sugar Ray's live repertoire since 2013 when they were working on new songs. This begs the question: Why has this come out as a McGrath solo track and not on a brand new Sugar Ray album? Also, why is there no new Sugar Ray album? Are there band issues right now?
   Last track, It's Always Sunny, has the same vibe as the first song. It starts off as if it is going to be old fashioned and doo wop-like, but then it becomes happy and upbeat with a chorus you might end up singing for days afterwards. What The World Needs and Again and Again have more of a reggae/ska flavour that, for some reason, just don't get me all that pumped. They're both beautiful with a sweet sentiment. What The World Needs sort of reminds me of NOFX's pure reggae/ska version of Rancid's Radio; it has that same sort of pace and the same joyous sing-along, but really just seems cheesy in comparison. It's heavily Marley influenced, even incorporating the "woy yoy yoy" melody of Buffalo Soldier (or it could be the Banana Splits theme tune) near the end of the song. Again and Again has more of a 311 (great band) feel about it but the kind of 311 that I tend to not like so much. Just a little too slow and, frankly, a tad boring. It's nice and chill and would be great to lie in the sun to but could easily put you to sleep. The guitar parts add a little Santana feel but the song generally lacks power most of the time.
  Ease My Mind is somewhere between the two styles; the bouncy alt pop with a hip hop beat and the slow pop reggae. It's slow and chilled with a bit of a Latin vibe. The hip hop rhythm and the vocal melodies work well together to make it another sunshiny hit. I am almost certain that there is also a deliberate nod to Green Day as McGrath sings line like "It all comes back to you.." in the style of "It all keeps adding up..." from Basket Case. Could be coincidental, but it's a BIG coincidence. 

   If you've ever liked Sugar Ray, or similar acts like Smashmouth, LEN or Fastball, and, of course, if you simply like Mark McGrath, this is worth checking out and is definitely great for a sunny day. Personally, I would have liked to have seen more effort put into a new Sugar Ray album as opposed to this EP. At least three of the five songs here would have worked just as well on an album amongst more rocky numbers; a mix that always pleases me when done right. I hope there technically still is a band right now...  

3/5