Showing posts with label Laila. Show all posts
Showing posts with label Laila. Show all posts

Friday, 9 January 2015

Live Review: Lailah and Document @ Ozenbar, Tel Aviv [2nd January 2015]

Tonight, I bring myself to one of Tel Aviv's more well known music venues, the Ozenbar. I used to come here quite a fair bit in the first year or so of moving to Tel Aviv, but there hasn't really been many shows of interest here in quite some time. This evening sees a show put on by club night/line/whatever it is.. Reflektor featuring previously reviewed moody duo Laila and post-punk band Document.


Laila




  As regular readers may know, I already like Laila. I like that there's a singing drummer, the dreaminess of the guitars and, at times, the catchiness of their choruses. Especially tonight, with a shorter set than the headlined show at the Zimmer that I previously reviewed, everything seems more structured. Drummer Maya and guitarist Avishag play physically closer together which helps them to stay even more in time and also helps us as viewers see them more as a team. Laila's style of what I would consider "heavy shoegaze", due to its mixture of dreamy distorted guitars (Avishag), slow pounding drumming and heartfelt belted-out vocals (Maya), does not seem to have gotten that many people at tonight's show all that "pumped up". However, a crowd did form and some Laila virgins may have just found themselves a new band to get into. If they are anything like me, they have probably also gone away with the chorus "We've gone far and landed on Mars" swimming around in their heads.
Girls...when are we going to get some form of record from you two?! I'm sure I'm not the only one eagerly awaiting that.
4/5


Document


  Last band of the night before the Reflektor party is Document. I actually heard the band name in passing recently and was then contacted by frontman Nir directly after he discovered the blog. Despite classing themselves as post-punk, the vibe I got from the tracks and videos I checked out prior to the show was more new wave/electro indie. I guess there's a fine line...
  As the band open their set, we get dark and brooding guitars being played on top of electro beats. It seems pleasant enough, but I can already say that both Nir's vocals and the overall energy of the band could be stronger. Nir seems a little out of tune at times. There can be several reasons for this; the monitors may not be loud enough for him, he might already have a bit of a bad throat today or it could have been purposely out of tune. Either way, was a little off putting, personally. According to the setlist, the song is either called New or is a brand new song they've been working on and not named yet. If it's the case of the latter, that could be another reason why the vocals were not spot on. The band in general also seem quite static, but that can be considered normal for this sort of style.


Photo by: Nastya Levin
  Like the first song, second song "Made A Mess" is also dark with some beautiful jangly guitars (Jude and Yaniv), a solid bassline (Barack) and some ridiculously well played electro beats (Amir). To be honest, Amir's drumming is so good that it became a bit of a focus for me. The following songs Weeks and Can't Decide expose Document's more post-punk side. Weeks, the band's first song of the set to come off of their Reset Your Mind EP, reminds me of bands like Wire and Magazine. It's quite an upbeat and intense song yet I'm still not really getting that in the performance. Nir sings well but there is no real expression. The rest of the band, apart from the drummer, still remain pretty static. Can't Decide has some very nice harmonies, both vocally and instrumentally. It is on this track that the Flaming Lips quality of Nir's vocals shine through. It works with their style of music and does not come off as too much of a copycat. Songs Idiot and On The Wall are both nice, the latter especially having some interestingly menacing sounding verses and a bouncy chorus. Last two songs of the set, Where You Are and Settle Down are both off the EP. Where You Are has a strong Cure-meets-Flaming Lips sounds. Nice and upbeat with just the right amount of post-punk. The song gets a few people dancing but I still can't help but feel that if the band itself, especially Nir as frontman, was more physically active then that would have encouraged the crowd to dance more. Drummer Amir still remains the most enthusiastic and even moving the most...and he's sitting down! Final song Settle Down is also upbeat and quite a rocking number. The vocal melody at times is quite reminiscent of Nirvana's In Bloom but the song itself still sticks to the band's post-punk and electro indie ethic.   
  The band itself is tight and I can't really fault their musicianship. The songs themselves are also well written and the band has potential to really make a name for themselves in the post-punk/indie world. Based on their performance, they are not the most fun or interesting bands I've ever watched. I don't know if this was a one-off and they were all feeling a bit lethargic but even Nir's interaction with the crowd, talking about the EP and about the work they are doing on the album, all seems a bit lacklustre. If the band themselves just had a little bit more vitality in their performance, then they could be competing with the big names.
3/4

Saturday, 6 December 2014

Live Review: Laila and Haziz Veraam @ The Zimmer, Tel Aviv [27th November 2014]

Tonight, I come to The Zimmer, the place considered Tel Aviv's hub of the weird and wonderful, to see a band I have not seen in quite some time.

Haziz Veraam


As I enter the Zimmer, albeit a tad early, there's not that many people here but the first act is already setting up. The whole performance area was filled with TV monitors of different shapes and sizes. In front of the monitors was a set up of a sound desk, modules and sound generators. I'm not going to pretend to really know all that gets used in experimental, noise and found sound performances. I still haven't much personal experience with those sorts of things. I studied sound recording, using computer software and a bit of akai sampling and tape looping but not the gizmos that I witness here tonight. Haziz Veraam is an ambient music project from Zimmer owner and half of Hetzi Moakh Al Ketamine. To be honest, I think I missed a good part of this performance. When I came in, I just thought it was a bit of a soundcheck or simply some background ambience as an introduction to the evening. I left the place for a while and came back to a slightly fuller Zimmer. As the ambient music of rapid bass lines played, there was static, spirals and all sorts of weird visuals on the monitors. If I had more of an understanding of how this sort of thing is done (and I will start looking into it), I probably would be more engaged in it. It is however a nice calming start to the night and the installations and the visuals were a nice change to see at a show.
2.5/5

Laila


Tonight's headliners Laila are made up of Maya on drums and lead vocals and Avishag on guitar and backing vocals. I have seen these girls a few times before and I always enjoy them. They play moody, almost sludgey "shoegaze" music. They start off the set with a slow, heavy hitting intro which builds along with Maya's vocals. From the get go, Maya has a lot of emotion in her voice. From what I can make out from the lyrical subject matter, she tends to sing about love and/or unrequited love. Her feelings show through as she spits her lyrics with every breath. Changing her vocals from dreamy and seducing one moment to sharp and aggressive the next, her vocals match their musical stylings. Avishag's guitar playing has similar dynamics, using her pedals to good effect. Avishag also helps with backup vocals, which are nowhere near on par with those of Maya's; it's better than just standing there doing nothing. It is a little disconcerting that the two girls are a fair distance apart on the..er...stage, which is really just the floorspace. It's normally nicer to see a band a little bit closer knit, but musically the girls still manage to keep it together.
Having been a singing drummer myself, I can say first hand that it's not all that easy. If you're doing too much complicated drumming, it can make you run out of breath and disrupt your singing. If you're concentrating too much on the singing, you can get distracted from your drumming. Maya manages to play simple enough yet still effective drum patterns that not only help accentuate Maya's meaningful lyrics, it also frees her up to sing melodically. Some of the songs nearer the end have an almost indie feel with "ooohs" and "wooohs", which in this case I found quite endearing.
Throughout the set, the monitors which were set up help add a bit of atmosphere and theatrics with varying visuals such as cowboys, trains, fish and space. Whether these visuals actually had any real purpose...probably not, but this is expected at a Zimmer show. The barmy lot! During a more frantic part of the set, the monitors flash rapidly, adding to the intensity of their playing. That I found impressive. At the very end of the show, the girls swap roles and end the show with a more heavy, dirge-like piece. It's always good to see band members' expanded talents.
Moving from dreamy, low-fi rock to more harsh and heavy styles, Laila are captivating enough to keep your head a-boppin' and you toes a-tappin'.
4/5