Live Review: Jeronimo EP Release Show @ Maaxan 7, Beer Sheva [25th August, 2016]

Lion's Den
Jeronimo
Elephant Hive
MAGA

Continuing with trying to venture outside of Tel Aviv for shows, I got a lift down to Maaxan 7 in Beer Sheva (South Israel) to celebrate the release of their 2nd EP by post-punk rock trio, Jeronimo. Two classic rock trios, MAGA and Lion's Den, and experimental rock duo, Elephant Hive, have also come along for the fun on the evening that also happens to be Lailah Lavan (White Night - not a racist thing) in Beer Sheva.

MAGA

Starting off the proceedings as soon as they arrive, Tel Aviv's MAGA play through their set of classic style blues-rock. Taking in elements of late 60s/early 70s bands like Creedence Clearwater Revival, Cream and even Black Sabbath, the trio play catchy numbers with all the energy of their predecessors. With some songs being more uptempo and simply structured (e.g. Did You?) and others introducing more groove and experimental tangents (e.g. Again), they have a varied enough repertoire to be considered entertaining. It's incredibly difficult in this day and age to play this style of music and come off as original, so there are no real surprises here. However, they are convincing enough, both in look and in sound, to make one believe that you are somehow watching an actual 70s band.

3.5/5

Elephant Hive

This is either my second or third time seeing Elephant Hive. I can't remember, although I've definitely already reviewed them. Having set themselves up with their own drum kit in a position more central of the venue, the Tel Aviv duo still play short blasts of experimental, jazz-tinged rock but with some different songs to their previous set(s). They seem to have added pieces with more structure. The drumming and guitar riffs sit perfectly well together and everything sounds more controlled and song-like. One song in particular is reminiscent of Primus' Shake Hands With Beef. It has a similar low-tuned, funky groove and even the same quirkiness. They certainly have impressed me more this time than before but I still think they currently cater to a pretty niche demographic.

3/5

Jeronimo

Although it's meant to be their night, Jeronimo hit the stage as the penultimate act. As the band plays a few tracks from their first EP (the ORANGE one), all 3 tracks from their latest EP (the PURPLE one) and some as yet unreleased tracks, it's obvious to hear how their sound has matured.

They are a band that states to have a Fugazi influence but it's the side of Fugazi that I, personally, don't quite connect with. I like the Fugazi with funky bass lines and angry punky vocals, whereas Jeronimo take more from the intense, progressive side of Fugazi's post-punk sound. It is still enjoyable and really showcases their musicianship. Bassist Auriya provides us is with some groovy yet subtle licks on tracks like Lions Suspended in Air and their self titled track. It is drummer Itamar who especially shines through; his overall steady timekeeping and ridiculously tight drum fills are impressive and a joy to watch. Guitarist and co-vocalist Yonatan also gives a great performance, even going amongst the crowd during solos. 

The band do have a few good riffs and some fun moments but, sadly, I think it just goes over my head a little. They are doing very well for themselves and working incredibly hard and that deserves great respect.

3.5/5

Lion's Den

Finishing off the night is hairy Tel Aviv trio, Lion's Den; one of those few bands whose look reflects their name. The band tends to be closely linked to the previous mentioned MAGA but their styles are actually quite different.

Although there is a hint of similar classic rock and blues influences, the likes of Pearl Jam and Soundgarden come to mind as I watch and listen to them. There's a mixture of laid back and funky grooves met with some low, grunge-like outbursts. Along with the bare chests and long curly hair, I can't help but think that these guys would've been great on the Seattle scene.

The chemistry between guitarist/lead singer Yoni and bassist Yoav is strong however drummer, Itay, is not always quite on the same wavelength. He still does a great job, playing with full energy. I'm definitely glad I've finally seen Lion's Den, as their mix of Seattle grunge and classic blues rock has pleasantly surprised me.

3.5/5

Live Review: Kids Insane/Spit/Azor @ Levontin 7, Tel Aviv [3rd March 2016]

With the smaller, more punk venues closing down, more shows have been cropping up at Levontin 7. Tonight sees the return of Kids Insane, with their new guitarist, with support from punk supergroup SPIT and the strange choice of rock band Azor.

Azor

Poor Azor! They've been through the wars. With both drummers and bass players coming and going, guitarist and vocalist Yuval has had a lot on his shoulders to make sure his songs still get heard. Tonight is the first show for new bassist Ofer. Out of all previous bassists, he is the most metal. He alights the stage with a raised fist and plays the entire set with the same posture and charisma of a thrash bassist. He brings along that crowd encouragement that you see at metal shows, such as the "hey" fist pumping and mouthing the words. He even gets down amongst the crowd. He's definitely done this all before and shows no hints of nervousness.

Although musically not being totally in keeping with the rest of the night ahead, Azor's mixture of progressive hard rock and stoner seems to be causing a stir amongst the crowd. Although I've witnessed them have good reactions before, I don't think I've ever seen this much dancing at their shows. It could be that most of those dancing are close friends of the band, but it did encourage others around to join in, creating quite an electric atmosphere all round.
Azor's material does still sometimes come off as dated, reminiscent of Black Sabbath and Led Zepplin, but the creative drumming from Alon makes things a whole lot more interesting. As well as purposely showing off on the fittingly titled The Drummer Is Crazy, High Temp Flight's opening groove displays his talent from the very start of the set.
They may not play my favourite track from the High Tempo Flight album, Natasha, but Port City Girl comes close and has me singing along to as much as I can remember of the song. They also play a new song entitled Muse which does not quite sound like the band of the same name.
Yuval still gives it all he has on stage; his solos get better every time. Despite me being sceptical of the new bassist being "too metal" for this band, Yuval and Ofer seem to have gelled really quickly. Hopefully, this lineup will stick and there will be more shows as fun to watch as this.

3.5/5

SPIT

Consisting of Useless ID bassist/frontman Yotam Ben Horin on guitar, his brother Nadav on vocals (Sweatshop Boys/Mondo Gecko/Shifka Chiefs etc.), Kids Insane frontman Corey Swift on drums (also drummer for Mondo Gecko/Backliners/Tamutamen) and Kids Insane bassist Nadav Rotem on..well..bass, SPIT seems to have been born to bring back the 80s/90s hardcore punk of minute long songs you can skate and/or smash windows to.
 As the band basically play their 18 track debut album, Poison In Your Head, in its entirety, there is not quite as much of a reception dance-wise as there was for Azor. There might not be as many people familiar with the band or the record, but those who are sing along and raise their fists to the likes of To The Bones, R.A.M.B.O, Poison In Your Head and Restart. However, there is a good and obvious reason for the lack of movement; everyone is so engrossed in the spectacle that is Nadav Ben Horin that all you can do is stand and stare in wonder. With the others also playing with intense faces and joining in on vocals, the band as a whole give the performance every hardcore punk band should give.

 As the band zoom through all their quick-fire numbers, the set comes to a close with Flag II. As their longest, slowest and grooviest song, it is the perfect closer and gives Nadav more room to go absolutely bat shit crazy as he exclaims "I SPIT ON YOUR FLAG!". Nadav is known for his eccentric behaviour on stage, almost always ending half naked somehow. Tonight, he goes a little bit further, as he crawls into the "dressing room" area through the hatch, microphone still in hand, and tries to make his way out the dressing room door into the crowd. Unfortunately, the cable isn't long enough, so he returns with his trusty ladder and towers amongst the crowd to eventually dive on top of them for one final crowd surf.

  SPIT need to get out into the States and Europe and I'm pretty sure they will gain a much wider fanbase than they already do. It is pure hardcore punk that's well written, meaningful and still packs a mean punch.

4.5/5

Kids Insane

Both Azor and SPIT seem to have warmed the crowd up nicely as now everyone is up front for Kids Insane. As I write this, I admit that my memory of this is a bit hazy. This is one of those times where I actually got quite involved, doing a bit of dancing and shouting along. However, I can still say that they were totally on form, and even more so with Ofek from DUST now on guitar duties, who also did some great back up vocals.

  As always, the "classic" Kids Insane tracks get a great reception, with fans shouting along and a good amount of pushing and some actual hardcore dancing here and there. Tracks like Story Of A Lonely Street, Frustrated, Don't Need This (personal favourite) and Spread It All Over get the biggest receptions, as well as Same Shit, Different Scene and Love creating some sing alongs.
 With a new album almost ready to drop, the band play some brand new songs, such as set opener Black Burnt, Varicose, Slave and Overthinking. These don't seem to sit well with everyone here tonight but I am personally impressed. Some people simply don't like change and the new material is considerably different to their earlier work. Although Kids Insane may have always had The Bronx in mind as an influence and may have also had a similar "swagger" at times, frontman Corey has really moved his vocals into rock 'n' roll territory, making the influence more apparent. They also seem to have written a few more refrains and hooks which did have some people already repeating and singing along to but could become even more popular at future shows. I am definitely eager to hear and review the new album (hint, hint) as it seems even more up my street than some of their other more recent work. It'll also be interesting to see how different it is in general to their previous records.  

4.5/5

All photos by David "Doh Doh" Rosen

Rival Sons' brand new song

Rival Sons from Long Beach, California, are one of those few modern bands who are doing classic absolutely right. They manage to do pure, sexy rock with a hint of stoner without sounding cliché.

After the big success of their last album, The Great Western Valkyrie, Rival Sons are set to release their 5th album, Hollow Bones, through Earache Records on 10th June. From it, Earache preview the track Hollow Bones Pt.1 on YouTube and the track is available for download on iTunes.

Hollow Bones Pt.1 is more of what one comes to expect from the heavier, dirtier side of Rival Sons. With its groovy rhythm, low, heavy riff and haunting vocals, no fan should be disappointed by this nod to Led Zepplin style rock. The drum break near the end is something that would have been repeatedly sampled by hip hop acts and DJs all over if it had come out decades ago.

Can't wait to check out the whole album.

Live Review: Azor, Deaf Chonky, Saint God @ Etzabotz, Tel Aviv [12th November 2015]

What's this? A new place? Where on earth is Etzabotz, you ask? Well, it's a sort of art studio that doubles up as a venue and is conveniently in front of the now defunct Koro. I've popped my head in there a few times before to check out what's going on, but tonight I'm here to see the new line-up for rockers Azor as well as some bands I've never checked out before.

Saint God

   As I walk into Etzabot and say hi to the guys from Azor, really the only people there I recognise, there's some heavy rock being played. As I turn towards the very small stage with darbukas buried underneath it, I see a male duo on stage. The band turns out to be Saint God, made up of two guys from Etzabot itself. With only guitar and drums, they still manage to get a cool sound via the use of effects.
   Shura (vocals/drums) and Tim (guitar) play with the right mixture of tightness and looseness; they are musically competent yet still have the feel of a laid back jam session. Vocals are sometimes a tad inaudible due to the venue's low quality sound, but it's all still very coherent. The music style seems to flip between grunge, shoegaze and even black metal, incorporating blast beats and evil snarls. It's definitely the first of its kind that I've heard before, therefore I'm impressed by Saint God and glad I arrived just in time to see them.
4/5

Deaf Chonky

  I like new blood. I love giving new acts a chance and watching the music scene grow. Like with the opening act, I had no idea who Deaf Chonky were before tonight. Another duo, this time two girls, take stage and play a set full of Bikini Kill style rock, experimental musicianship and general weirdness.
   Both girls, Tamar (drums) and Adi (guitar) lend their hands to vocals, which is mostly the sort of shouting associated with riot grrl. Although the girls tackle different styles, it's still pretty minimalistic, which isn't a bad thing.
  Most memorable of the set is Bad Things Could Happen. It goes off at tangents, even touching upon experimental poetry, but always circles back to its simple yet catchy chorus. Another highlight was when drummer Tamar played a bit of harmonica. I'm a sucker for harmonicas, so that made me smile.
   They might not be the next best thing nor the most amazing musicians, but Deaf Chonky do bring something a little different to the table.
3/5

Azor

  Finally, Azor take the stage. Now remember, folks..I'm an honest guy. I don't do bias and will always say what I really think of a friend's band. As my promo of the band shows (see article), I was genuinely impressed from the start by the stoner/punk rock trio, and with new bassist, Shahar (ex-fourfunzies/Woolly Boy), they are on just as good form, if not better.
   Although Azor played the Koro closing show recently in their original lineup, it was a very short set. It therefore feels as if I haven't seen them for a long time. Tonight, drummer Alon is in his trademark leopard skin (print) leggings, Shahar actually sings back up, which I've never seen him do before, and guitarist/main singer, Yuval, is placed in front of the stage (due to lack of space) and waves around his curly mane as he rocks out.
   It's still not totally straight forward what to label the band. Songs like Port City Girl and Paris (bearing close similarities to the Oasis classic, Cigarettes & Alcohol) are more in the vein of classic rock, whereas Shine In The Dark and Magic World are Black Sabbath influenced stoner. Natasha, written and sung by Alon, is their punkiest track. It is not only my highlight of their set but possibly my favourite song of theirs. It has me singing along and throwing my hands in the air.
  The setup tonight is weird, as they are all quite far apart and god knows how they are able to not see each other and still play so tightly. Yuval does go on stage when possible and Shahar also joins Yuval on the floor in front, so I think that helps and definitely proves them to be a well-oiled unit. 
  Due to his accent, which is natural and unavoidable, Yuval's vocals sometimes sound a bit weird to my ears, nor does he have the most impressive of voices, but what he lacks in that department he makes up for with his high energy and showmanship. Both Alon and Shahar also give it a little something on stage, and the overall remarkable musicianship is great to witness. All masters in their field.
  They definitely get the crowd (of about 7 people) dancing like crazy and cheering for them. It's a shame that this was a poorly turned out show, but they've proven in the past to be able to get a big crowd going and will soon be playing to bigger.
4.5/5

Live Review and Album Review: Knees Please (Where's Ma Money Release Party) + The Great Machine @ Levontin 7, Tel Aviv [5th August 2015]

  The first time I ever saw either of these two bands was, funnily enough, also at a show they played together. It was some special event at a skate park in Tel Aviv. I had never seen or really even heard of these two bands before but I went along and even filmed part of both their sets. From thereon in, I've been quite a dedicated follower of both bands. Tonight, the two band's reunite to celebrate the Knee Please's debut album, Where's Ma Money.

The Great Machine

    These stoners don't get enough recognition. The Great Machine are a band formed by two brothers, Aviran (bass/vocals) and Omer (guitar/vocals), who, at different points over the last few years, have also owned a venue and a rehearsal space. Many tend to class their music as "stoner", whereas others may say "psychedelic". In a way, their repertoire has consisted of a bit of both.
 Instead of the stage, the band are placed in a sort of triangle pattern on the dance floor. Although this makes dancing a little bit more difficult for onlookers, this is the way this kind of band should be playing. It makes it easier to focus on what everyone in the band is doing.  
   Previously, they have been known to perform with female vocalist, Noga Shalev, whose enticing vocals made their sound go a little trippy at times. She seems to no longer be part of the band, resulting in the brothers and drummer Michael playing a heavier, more stoner and sludge influenced set. There's the odd song that I recognise from other shows, but the rest are either album tracks that I don't know or brand new songs. Either way, there is a fair bit of head banging as the trio rock out. 
   Most of the time, Aviran's mic seems far too quiet and he is really only audible in parts of the song where he sings/talks over silence. Personally, it doesn't make that much of a difference as they could easily work just as well as a totally instrumental band. Vocals aside, the sound is fairly good and their playing over all is highly energetic and on point. I was entertained tonight. However, there was a point where I was so sure they were on a new song but they ended up doing the same bit from a good 3 minutes earlier. So this is either quite a progressive song or they added it in to confuse us.  
  
3.5/5

Knees Please

  The first time I saw this band play the skate park, they were a duo called Tape&Rape, a name which actually stuck until some months back, even after becoming a three-piece. Knees Please are essentially still the same band as back then, Alex (guitar/vocals) and David (drums), with a good amount of the same songs only with slight changes here and there. Bassist, Ben (Zaga Zaga), actually plays his last show with the band tonight and will be replaced by another Ben. 

   The band prepare themselves in the same three pointed set-up as The Great Machine as more people start flooding in. After a few welcomes and stoned banter from Alex, the band kick off their set with album opener, Shit Back. This is a good example of the band's early grunge influences a la Melvins and Bleach era Nirvana; being all quiet one moment and then simply exploding into some very low and heavy riffs. Despite it's title, it lyrically comes off as one of the most serious and relatable songs they have.
   The band pretty much continues playing the whole of recently released debut, Where's Ma Money, in full, including other weirdly titled songs like I Came Blood and Sweaty Chicken in Ma Pants. Both songs are from the band's early days and also use that heavy grunge sound. I Came Blood has always been one of those songs that has lyrically made me go, "What on earth is this about?", as Alex seems to be describing a visit to the doctors because of bleeding genitalia. However, the lyrical content is so memorable that it get's people mouthing along. Sweaty Chicken.. still has Alex's mouth trumpet solo, which now works even better over their thicker and fuller sound. I would have loved to have seen someone actually turn up tonight with an actual trumpet...
   Other tracks from the album and the set that come from the Tape&Rape days include Ceiling, Mine and album closer Vacation. Ceiling is probably one of the band's most famous and popular songs, as drummer David pleases people everywhere by giving us "more cowbell" in both the intro. The song is pretty much how it used to be only with some lyrics changed. The song's groove has everyone in the place moving, whether it is just nodding their heads or fully dancing their socks off. Mine, originally "King Of The Garbage", has also had a bit of facelift, with some edited lyrics and added parts. The chorus still has that epic "I'm king of the wooorrld.." line, which gives the song the potential of being quite a hit if they ever get the right publicity. 

   Songs like Motherboard, Sleepy Time and I Lie are what I consider the highlights of the album and their set. New bassist, Ben (Belial), joins the band for Motherboard, a song I had never heard before listening to the album, despite apparently being an old one. Like with Ceiling, it has the most ridiculously cool groove that I had to bust some sort of move. After grooving in the intro, the band then plays a lot of heavy synchronised "stabs", which on first listen sounded sort of lazy and unimaginative but when played live, it makes you want to break stuff. Sleepy Time is a tune I recognise from previous shows, because I always mistook the intro for that of Teenage Kicks, only played in a slightly different rhythm. The song throughout has a bit of a swing to it, which is refreshing compared to the rest. I Lie is almost the band's quintessential grunge track, based on a steady rock beat but freaking out with an explosive chorus. It has an QOTSA feel to it; you can imagine yourself driving 100mph down a motorway in an open top car to this.
   In their set, the band also plays some brand new songs not on the record, such as Muddy, Barry The Lizard, The Sun and Go In Piss. Barry The Lizard especially stands out, with Alex's crazy vocals jumping along with the bouncy rhythm. There seems to be more of a sludge feel in the newer ones which makes the wait for the next album more exciting.
   After about an hour of rocking out, the band finish, all sweaty and tuckered, as the crowd beg for more. Ben bows out gracefully but the original 2 members take us back to their Tape&Rape days with We Said and its infectious "La la la-la" chorus. This was a nice way to end a set, showing how far they've come and that what they were is still a big part of who they are.
   
I've got a lot of love for Knees Please, especially as a live band. Although the album still has some great heavy stuff to rock out to, there are songs that sound a little bit too similar. For example, Sleepy Time and Mine have the same starting chords, making the latter sound like an extension of the former, especially on record. This could have been done to create some sort of underlining theme, but on first listen sounds sort of lazy. The quiet-loud-quiet method also seems a little bit overdone here, despite it's proven effectiveness for decades. If you like bands like Melvins, The Jesus Lizard and even Helmet, check out these guys some time.

Live: 4/5
Where's Ma Money?: 3/5

All photos courtesy of Eddie Botstein. 

RIVAL SONS RELEASE VIDEO FOR ELECTRIC MAN

  My brain works in such a weird way, sometimes. A few days ago, I was listening to the new album by The Prodigy and was wondering what the Ibiza video would look like and hey presto...I find out there is one. A couple of days ago, I was listening to Rival Sons' Great Western Valkyrie album and decided to check yesterday if there was any new music videos from that album. Lo and behold, they released just yesterday a video for album opener Electric Man. The weird thing is it was released as a single last year. I'm not sure if they are re-releasing it or not but hopefully more people are going to see the video, giving the single and the album more exposure.
   It's basically a performance video with the band playing in front of scientists, for some reason. There is also something to do with martial arts; not entirely sure of the connection there but it's aesthetically pleasing. The song itself has a great groove, sexy verses and a catchy chorus. 
    For those who are not familiar with Rival Sons, it's rock straight from the school of Led Zepplin et al. They know how to write both hard rocking anthems and sexy slow jams. Check out Electric Man below and buy the album Great Western Valkyrie now. 

Review: Dead Sara - Pleasure To Meet You [2015]

 

    I have been awaiting this album for quite some time now. Having fallen in love with the LA rock outfit Dead Sara since seeing the video for and hearing the song Weatherman, the self titled album blew me away. Frontwoman Emily Armstrong's voice stands out amongst many other singers out there right now, not even just the female ones. She is able to sing melodies that blend with guitarist Siouxsie Medley's sexy riffs in such a wonderful way. Dead Sara somehow manage to be both bluesy, heavy, energetic and mellow all in one album. The follow up, Pleasure To Meet You, has proven to have similar dynamics and just as catchy tunes.

   I already posted two tracks from this album already, Mona Lisa and Something Good. Mona Lisa was a little bit harder to grasp at first; there's quite a bit going on in the song. After a while, you find yourself humming the intro, playing the verses in your head and every so often shouting "I KNOW WHAT YOU WANT BUT IT AIN'T GONNA BE WHAT YOU LIKE!" Something Good comes at you straight away as just a really sweet and well-penned country-tinged song. The melodies, both vocal and guitar, are something your gran could even appreciate, but there's enough bite that it just doesn't seem like a cheesy pop song. This song has already had a bit of airplay and TV exposure that I'd be quite disappointed if it doesn't become a massive hit. It's like a slightly harder HAIM song....and everyone likes HAIM, right?
    The song Suicidal was a good choice for album opener...unless it was purposely made that way. It shows the band's heavier side, in a similar way to debut album tracks such as Weatherman and my personal favourite Test On My Patience. I haven't asked the band themselves the real meaning behind the song, but judging behind the lyrics it does seem to be speaking to those who have ever thought their life wasn't enough and telling them that they should never give up. It seems to be almost laughing at one's own concept of wanting to end their life, which I for one can relate to. If this is not quite the meaning of the song, then that's at least what I take from it when I head bang along to "Run and blow my life away. I wake up to another day."
   All the songs on this album have something special about them; there's a little bit of something for everyone. Lovesick, Greaser and Feel Right At Home all lie in the mainstream hard rock category, with catchy choruses and mixtures of heavier and softer parts. "Baby we're lovesick" is a chorus you won't be forgetting in a hurry and Greaser's chorus will have you waving your arms side to side while also trying not to break into Buggles' Video Killed The Radio Star (you'll know what I mean). Feel Right at Home has more of a groove to it than the others, coming off a bit like Black Crowes (whom I love). Mr Mr has an almost Black Keys vibe. It has echoey guitars and bluesy riffs along with pounding drums. There's a riff at the midway mark and at the end of the whole song which gives the song a headbanging quality.
    Radio One Two is possibly the nearest this album has to a punk rock song. Starting off with more of a new wave sound, it breaks out into a joyous singalong. Every song could be considered to have mainstream likability. There are also two slow songs on the album; Blue Was The Beautiful You and For You I Am. The former is bluesy with an explosive chorus and the latter sounds at times like it could be an Alanis song (which isn't a bad thing) and is slow but builds and builds into something emotionally beautiful.
        If you haven't listened to Dead Sara yet and you consider yourself a rock music fan, then I suggest you get on it straight away. They are a super cohesive unit, with Emily's voice definitely being at the forefront. This album has every chance to hit mainstream success; hopefully, it already is. It's hard to pick highlights as it changes at every listen, but Radio One Two and Something Good stand out for me right now. Whether the album itself is as good as the self titled album, I don't know...but it definitely hits a spot.

5/5
   

New Artist Promo: Azor

 
    I have really only done one band promo on this blog so far and that was because I was sent a special email requesting it. Luckily, they also happened to be a really cool band (Yawning Dog promo). This artist promo is brought to you purely out of being impressed by the band and thinking they bloody deserve a write-up. Due to illness, I unfortunately missed their debut show at BanditoFest in Tel Aviv. However, their performance was filmed and I really liked what I saw and heard. I also got to see them this passed weekend to a bit of a disappointing turn out. They nevertheless rocked out.
  
   Azor are a "power-trio", comprising of Yuval (ex-Inside Job/Erev Rav/Leah Katamin) on guitar and main vocals, Alon (Almonim Metim) on drums and vocals and Ori (ex-Beats 69/MASTERD) on bass and vocals. Yuval and Alon met for the first time in a crazy jam night; they were having an awesome session and decided that they should actually join up and make some music together. In October 2014, after finishing other music projects and having free time ,the two started to work on songs that Yuval wrote. The idea was to create something new while still hanging on to that old vibe of free and energetic rock music. After working as a duo for a while, old childhood friend of Yuval's, Ori, was brought in as bass player to really bring the whole thing together. The name Azor purely comes, as far as I'm aware, from the name of the area Yuval lives and that the band practises in, which is just south east of Tel Aviv near Holon.

The band takes their influences from a range of places. They take the heavy riffiness of Black Sabbath, the fun rock and roll vibe of bands like MC5 and the "grunge" edge of the likes of Nirvana as well as incorporating Mediterranean and Eastern elements. Having more of a punk background, it is refreshing to see these guys just playing some invigorating rock and roll. It is also nice to see the "punks" at shows getting their groove on to this sort of thing.
All three members are very good musicians. Yuval has written some great riffs and plays some blinding (that's British slang for "really, really good") solos, Ori plays cool bass lines and gives off a very joyous demeanour and Alon is an absolute nutter on the drums. Possibly one of the most creative new drummers I've seen at shows in the scene in a while. I actually first witnessed the band before their first proper show at an acoustic event. Yuval played acoustic guitar while Alon borrowed my cajon and was blasting out some pretty trippy beats.

After only having played their first few shows very recently, Azor are already working on the first album ''High Tempo Flight'', which is due for release in April, and plan to go on a European tour thereafter.  I urge you all to check them out if you ever get the opportunity to see them in person. In the meantime, you can see Beeran Production's filming of the band's debut show. 


   

Live Review: The Stubs/DUST/Left @ Koro, Tel Aviv [13th March 2015]

  Tonight, I come to Koro (yes...that place again. Tel Aviv's kind of small, you know..) for a bit of a mixed line-up show. This is the Tel Aviv leg of the Israel tour for Polish rocker The Stubs. From a few of the tracks I had previously checked out, these guys sounded fun and I wanted to check it out in person.

Left

   The show starts off with local duo Left. I am still unsure if I've actually seen these guys before or not but I had checked their bandcamp and liked what I heard. The duo consists of Asaf Leizerovitz on guitar and main vocals and Roy Chen on drums and extra vocals. Throughout the set, I realise I've seen the drummer before. His ambidexterity and flawless techniques made me think of the drummer of another duo, Verminn. Turns out...yeh, that's him. He also drums for quite a few other bands so this must be his life. All power to him!

   What you discover from both listening to and watching Left is that they mostly float somewhere in between stoner rock and full on garage rock anthems. Songs like tonight's set opener I Wanna Get To Know You, Ghost and Betterman lean more towards the stoner side of things. The former and the latter are more sultry and intense, with the former reminding me of QOTSA, with its "I wanna get to know you" refrain getting stuck in my head by the end of the song. Ghost is like a more haunting Led Zepplin with a "groovy" riff and pounding drums. Asaf's vocals are powerful and on point on all songs; at the same time, even quite endearing. The track called 7 (not a Prince cover) is not so much "stoner rock" but has more of a slight space-rock/horror punk feel about it, filled with high octane drumming and an intense riff. If you were running away from sort of hungry monster trying to take over your planet, this song would be a suitable soundtrack. 

   Tell Me, Matter of Control and Rogues in the House are where I hear the bands more garage rock influences. Tell Me is ridiculously catchy and, personally, is quite reminiscent of the BBC song from Austin Powers. Maybe that's just me! Matter of Control takes things to a more MC5/New York Dolls level, with wailing vocals and an intoxicating rhythm that had a few people dancing tonight. Rogues in the House is also very danceable with a hint of White Stripes about it...just with more interesting drumming.
  As well as proper songs, Left also have a few instrumentals, such as Power To The People and Headbanging which they play tonight. The former is quite techno/disco and had me nodding my head along up until it goes batshit crazy like a heavy dance track; the latter is a slow paced trippy number with an infectious riff and can definitely get you banging your head.  

  Asaf and Roy are great musicians. Roy's drumming is mesmerising and Asaf has some great riffs and a well tuned voice. I will add, however, that they do look quite mismatched as a band; Roy looks and plays like more of a metaller whereas Asaf has a "geek-chic" look about him. Fortunately, they work well together and I was very impressed. 
  See Left play with Shifka Chiefs at Levontin 7 on 21st March.
4/5

DUST

   How many times have I written about DUST already? This hard hitting and groove-led hardcore band just keep playing wherever and whenever they can. Playing songs off their self titled EP (such as the popular and catchy Midas Touch, Numb, with its epic sounding intro that always gets me pumped, the invigorating PMA, the amazing Slipping Away, the groovy Title and even the short blast of fury that is Brain Fuck Your Skull) as well as newer songs which are still familiar from previous shows (Bloody Knuckles and constant set closer Sick and Tired) all manage to get quite a few people in the crowd dancing and moving, despite it not being the biggest turn out I've seen for Dust before. 

Frontman Evya is not afraid to get amongst the viewers as the rest of the band full rock out on stage. As much as I love them, they need to start playing some "new-new" songs; songs we haven't heard several times before. That, and they should also release a proper album, like....NOW!

  You can see Dust play a lot of shows in the near future, I'm sure, including a Fanzine show at the Central Bus Station in Tel Aviv on election day.
4/5

The Stubs

  Now we come to the main event. It's always fun when an overseas band comes here. At the same time, it's a bit disappointing when they don't really get the right reception. I guess there is a good number of people here tonight for Polish band The Stubs, but it just doesn't feel like the normal crowd for a punk rock show. And these guys are pure punk rock and roll. 

  As the band starts, they don't have a full room straight away but slowly people started coming back in and all eyes were on them and lots of feet were moving. From the get go, with the Hellacopters-esque Nation Of Losers, we get the idea that this show is going to be full of hard rocking songs. The band are being quite energetic but I can imagine that touring takes the wind out of you as they could have smiled a bit more. 

  Their set basically continues along the garage rock/rock and roll kind of lines. Highlights of the set include the fast paced Straight and White which also has a nice change of pace in the middle, Salvation Twist with its "WOOHOO" chorus, Timmy with its cool wailing guitar intro that leads into groovy rock and roll, the riff laden and Rival Sons-esque There's No Mother and oldest song in the set, Highway Demon, which pretty much sounds like an angrier and heavier country song. During the set, guitarist and singer Tomek thanks us for coming and a little bit about themselves. Bless him, though...he seemed out of breath from all the rocking.

    Show closer Rudy's Blue Boogie, as the name suggests, has a bluesy riff quite reminiscent of Canned Heat's On The road Again...but punkier. But it might not have been enough as they left the some of crowd wanting more. I think we must have all been having fun as the set actually felt quite short. 

   If you like bands like MC5, Stooges, Hellacopters, Bombshell Rocks etc.. then The Stubs' back catalogue is definitely worth a listen.
4/5

NEW TRACKS FROM RECENT AND UPCOMING RELEASES

  I came across a few tracks and videos from recent and upcoming releases by some great bands.

Millencolin - Sense & Sensibility

  Sense & Sensibility, not to be confused with the Jane Austin novel and period drama of the same name, is the first track to be released off of Swedish punk band Millencolin's upcoming album True Brew. Back in my mid teens, I was aware of Millencolin because of the music videos for songs like Fox and Kemp. I don't think I ever properly liked them back then; same thing could be said about a number of skate-punk bands. It took me until recent years to check out albums such as Pennybridge Pioneers, which I remember the release of, and For Monkeys to really get the band. This new track stays true to the Millencolin sound, including the unmistakable voice of frontman Nikola Sarcevic and the bouncy rhythm. The song tackles the subject of racism and I guess the irony behind having just as much hate for racists as the racists do against the minorities. The "You're just a racist clown to me" line of the chorus is catchy and poignant enough to get stuck in your head. The video is cool and simple, being shot in the back of a van..or at least made to look as such. For those who like videos of the band just rocking out, this will not disappoint.
If this track is anything to go by, True Brew has the potential to be another great Millencolin record for the adoring fans. Due for release April 28th.

Dead Sara - Mona Lisa

   I'm not entirely sure how it happened, but I only realised yesterday that I no longer liked Dead Sara on Facebook and had therefore completely missed the release of this single and video for Mona Lisa from upcoming second album Pleasure To Meet You. I fell in love with Dead Sara upon the discovery of the song and video for Weatherman. It's a bit of a task to label Dead Sara. They are a rock band but not simply a rock band. Their self titled debut is an array of groovy riffs, frontwoman Emily Armstrong's powerful vocals, heavy drumming and cool harmonies, managing to showcase both heavy headbanging tunes and beautiful ballads. I am hoping for the same, maybe even a tad more, from the followup. Mona Lisa, certainly seems to show off the band's more (dare I say it) "hipster" side, especially in the video. The song itself is certainly not a disappointment; it still has that familiar heavy Dead Sara sound which builds up to an "explosion" which you know must be getting everyone at their shows going nuts. I know I would be. They once again manage to come up with a catchy refrain in "I know what you want but it's not gonna be what you like". This is definitely a great easer for the album and I'm hoping to be "on it like a car bonnet" when Pleasure To Meet You drops late March.

Shredhead - Walk With The Dead 

   Shredhead are an Israeli metal band who are slowly but surely making a name for themselves abroad, having even relocated to Berlin during the recording of latest album Death is Righteous released back in January. The album was mixed and mastered by Tue Madsen (Suicide Silence, The Haunted, Sick Ot It All etc.). I haven't yet heard the album but if Walk With The Dead is anything to go by, it must be pretty damn cool. I have to admit, though, it's not really my thing. The video, however, is an absolute must-see. The South Park-esque animations show the band in different situations and encountering an absolute smorgasbord of celebrities and TV/Movie characters, including some Israeli local celebrities that I recognise who have helped the band throughout the career with both promotion, videos and shows. The video is worth seeing with friends so you can play a game where you need to write down everyone you see. The one with the most names wins!

 Bloodshot Eyes - Happy Ever After (Summer's Gone)

  I don't know that much about Bloodshot Eyes except that they are a melodic punk (I guess..) band from Hod Hasharon, Israel. If you like melodic pop punk, then check out their recent single Happy Ever After (Summer's Gone). Personally, for me, I think it may take time for me to really like it. There's something there...I just need to keep going back and looking for it. It's certainly not 2 dimensional, with dynamic changes which should appease a variety of punk/hardcore music lovers. It is, however, the vocals that I am finding slightly off putting but you can't do much about an accent. 

Raiden - The Devil's Handprint

  Finally, previewed this passed weekend, I bring you the heaviest track on this post. Raiden from Essex (which is basically very far east London, for those who don't know) are a band who I never thought would emerge with anything new. I knew they were doing the odd show here and there once or twice a year but they have actually brought out a new track. Raiden are one of those bands I was aware of in my teens when I was knocking about the HC scene in London. I believe they had a track on a compilation which at first I thought was too metal for me, but after a while appreciated it. I still never properly followed the band; I'm not even too sure I've ever seen them. They were/still are part of the EBD (Essex BeatDown) scene which is basically the insane younger brother to the LBU (London Black Up) scene. 
  New track, The Devil's Handprint, starts off with some beautiful yet also menacing classical guitar playing. Seeing as I was already familiar with the band, I knew this wouldn't last for long. As expected, after about a minute, the blastbeats, shredding and blood curdling screams kick in and we are treated to some proper metal. Also as standard, we get a beatdown near the end. It's short, which I normally prefer but I actually wish there was more. Hopefully this means there's a new record on the way and more tracks for me to check out.
  If you like death metal, black metal and/or beatdown hardcore, check out Raiden. 

Live Review: Megason/Zaga Zaga/Mongar @ Koro, Tel Aviv [20th November 2014]

Mongar

Arriving a little bit late to the show (which i genuinely didn't think was possible for an underground Israeli show), I was told by those at the door that the band Mongar had just started. I had no previous idea who Mongar are. I could have checked, done a bit of research, watch the videos that were posted on the event page....but I tend to not do that so much anymore. Not for a brand new band. I like to be surprised and just see how well they can hold my attention in person. 
As I enter the stage area, I see a 2 man act on stage; a guitarist with a pedal board and a laptop and a drummer listening through headphones. I have definitely seen the guitarist around. Always assumed he was a German tourist or maybe a German volunteer living out here. Definitely looks German. Anyway.... I digress. The music these guys play is experimental instrumental rock. They swerve in and out of being more in the vein of 65daysofstatic to heavier vibes not too dissimilar to Lightning Bolt or even Animals As Leaders....only with less musical masturbation. Obvious instrumental bands references aside, there are moments that sound Tool-esque in timbre, and although I am not a massive fan of Tool, I admire the musicianship. Mongar as a team are absolutely flawless. Their laptop seems to be utilised as their metronome and providing backing tracks. The guitarist is relying on the drummer to keep time with the whole track and he doesn't disappoint. The drummer is absolutely incredible. He isn't just playing standard experimental jazz beats that you would expect in something like this, but he plays my favourite beats to play; Drum n Bass beats. I love just about anything that uses dance/dnb/jungle/sometimes even dubstep style rhythms into primarily more rock orientated songs. That is what truly classes as "experimental". When you bring different things to the table. These guys had me tapping my feet, nodding my head and in total awe of their playing, their melodies, their beats and their overall creativity. 
4.5/5

Zaga Zaga

What can I say about Zaga Zaga? They're just bloody nuts. They like wearing smart shirts when they perform. Nothing wrong with that. Tonight, they have made and hand drawn their own banner which they tape to the back wall. Nothing wrong with that either. Their music, on the other hand, is just barmy. Including members of Mad Choice, Knees Please (ex-Tape&Rape) and whatever else the drummer might be in (haha), these guys play something quite different to their other bands. They themselves don't even really know how to describe it.

Basically, if you ever liked The Locust or early DEP, you will like Zaga Zaga. They are a punk band, essentially, who just happen to play totally fucked up hardcore. The songs are really short and played really fast, apart from their opener which has an epic beginning where they are all shouting together. Every member gets to do vocals. Everyone. Sometimes in other bands, the drummer won't want to sing, sometimes the bassist doesn't. In this case, everyone is the frontman. This adds to their intensity and the enjoyment of watching them. They feel the music they play too. What's the point in playing music this chaotic and energetic without flapping about like a fish out of water? It took me a while to really appreciate this band from when I first saw them live, but I have begun to enjoy them for the mentalists that they are.
4/5

Megason

Tonight's show at the Koro finishes with psychedelic stoner rockers Megason. I have seen these guys a few times before....but seem to always forget that I did. I don't know if it was because I was quite tired or because I wasn't really in the mood for this kind of thing, but it didn't really do anything for me tonight. They are great musicians and their music is enjoyable to listen to, but when watching them live, there's nothing memorable about them. Maybe I just need to get more used to their material and watch them live a few more times to really appreciate them. 
3/5