It's been a while since I've done a live review and I am a bit behind with some that I have planned to do. To get things started again, here's a review of Punk Rockers Unite, a ska/punk/Oi show I went to recently at Jan Jack, a rehearsal rooms and studio in Tel Aviv that has also been putting on shows for quite a while now.
Hystericus
Starting off the night is ska punk trio, Hystericus. The band is essentially a continuation of guitarist/lead singer Doh-Doh's previous band Ska-Be-Us but with new members Liri (drums) and Matan (bass). Despite singing in Hebrew, both the old Ska-Be-Us songs and the soon to be released newer ones have a vibrant and internationally appealing sound to them. Sometimes Israeli accents can be off-putting (personally) whether in English or in Hebrew but Doh-Doh's vocals are always fun to listen to.
With songs deeply rooted in the Israeli skating culture such as Hummus Skateboard and Geveret, Ze Lo Tayelet (Madame, This Isn't a Promenade(?)) as well as more personal songs like Ani Ohev Lehagid 'Ani Ohev Otach' (I Love To Say 'I Love You'), the music is very uplifting and well executed. Although the turnout for tonight's show is a bit low, there's still people skanking about and even some regulars (like myself) singing along to songs they recognise. Definitely a fun start to the evening and a band to keep an eye on. Can this new album come out already?!
They've been on a bit of a break, but melodic punk 4 piece Free Sergio are back in town (they've actually all now moved here from "somewhere up North") with a bunch of new songs from their upcoming album Arrows.
As much as the new songs stick to the band's staple No Use For A Name/Flatliners inspired sound and the playing in general is tight and pretty faultless, nothing really stands out for me in this set. And I'm not the most familiar with No Use For A Name so even the song they cover doesn't do much for me.
I'm personally a bit disappointed that they didn't play anything off of their Take Control EP, especially the infectious So Far Yet So Close and Block The Entrances (it's heavy breakdown near the end was always a favourite of mine at their shows). However, they're still a technically talented bunch who have been and I'm looking forward to giving Arrows a proper listen when it drops.
Finishing off the night is Shortfuze, basically the only Oi band in Israel (besides the cover band Oi Lo and a handful of others that contain some influences). I have already written about the band before and my opinion has only slightly changed.
As much as I love Oi, it can get a bit samey if you reuse common topics and phrases. Unfortunately, there's just too many similarities to other bands and even particular songs to be able to rate Shortfuze on their own merits. I thought they were maybe attempting a cover of The Business' Suburban Rebels but it turns out that their chorus for The Power of Oi just happens to be quite similar to that of the aforementioned classic. This could very well be an artistically intentional throwback, in which case I admire the creativity, but...you can never really know.
Although not groundbreaking, the music is nevertheless fun, good old fashioned oi. I still think Oved Shaot (Working For Hours) is a great song and guitarist Ran's solos really brighten up each song. I'm interested in hearing a full body of work, however I do still feel a little uncomfortable with Israelis using British phrases (e.g. "Come on, you wankers") and talking about being "working class". It's not that I find it "offensive", but it does just feel a tad inauthentic. If they can focus on writing more songs based on personal experience (whether in Hebrew or English) then they could be on to a winner.
Once again, I bring you a compilation of new videos and songs from a variety of Israeli acts.
Free Sergio - So Far Yet So Close/Hate To Break It To Ya
I am starting off this post with pop punkers Free Sergio as I stupidly forgot to include their song So Far Yet So Close in the previous instalment. They have brought out another song Hate To Break It To Ya, so this seemed like a perfect time to mention them both. The former is what could be considered an "easycore" track, with metallic riffs and melodic punk vocals. Although the Israeli accent is pretty prominent, the actual vocabulary is intelligent and the lyrical content itself is positive and relatable. It has a sort of Rise Against meets Millencolin feel to it, which is the impression I got of the band when I saw them do an acoustic set some time ago. Hate To Break It To Ya showcases the band's ska sound, again, similar to Millencolin or even Less Than Jake without the brass. The vocals on both tracks might be a tad weaker than I'd hope for, the band musically have the genre down and I'm looking forward to seeing them play as a full band some day.
The Meatballs - Don't Waste My Time/Frowning Face
Here's another 2-in1. The Meatballs are an Israeli band who have been in existence since '09. The band plays old fashioned rock and roll, pure and simple. Don't Waste My Time takes its influences from more the 50s blues based rock and roll, whereas Frowning Face is very much in the 60s surf/B-Movie vein, with the video even including scenes from what seems like a real 60s B-Movie. I've been told these guys are fun live, as can be seen in the first video. I'm still yet to see them.
Both songs are singles from the forthcoming album Cut To The Chase.
Document - Disposition
A while ago, I went to see a band called Document, after hearing about them from friends and thinking about adding them to a show. Admittedly, I may not have given them the best live review but I did believe the band to have well crafted songs. Their latest single Disposition is good example of that. It is heavier than their previous work and generally well produced. Whereas the band can initially be considered indie and/or new wave, this has an almost post-punk sound and is simply captivating. The video is arty and quite dark, which works perfectly with the song itself.
Bones Garage - Birthmarks
Sliding perfectly into the next video, the friends who informed me of Document were the band Jeronimo. My second time seeing Jeronimo live was with another young band, Bones Garage. Bones Garage recently released their album Massacre/Dance, which I must get around to reviewing soon. This is their latest video for the song Birthmarks. When I saw them live, I appreciated the band's style although wasn't 100% into it at all times. Birthmarks, however, is beautiful. It's one of those songs which would definitely get tons of airplay and would intoxicate people with the "Aaahh" and "Wooaah" parts as well as with the song's simple beauty. Both the song and the video are incredibly professionally produced, which is surprising for such a young band. The video itself is like a short movie, showing two separate lives of a boy and a girl all the way from birth to when their two worlds collide at a record store and we then see their relationship progress from thereon in. If you like really good indie music and/or dark pop, GET ON THIS! They starting to really make a name from themselves in Israel's underground scene.
Heartrates - Rapunzel (Live at Keoss Studios)
Finally, I am compelled to post a live video from a show I actually witnessed. Heartrates are an Israeli metalcore band who I saw as the opening act at an event at Keoss Studios in Tel Aviv. As readers of my blog may already know, I am not the biggest fan of israeli metal/metalcore, but sometimes a band comes along who just hit the right spot. Heartrates' style reminded me of some of the UK metalcore/hardcore bands back in the early '00s, such as Funeral For A Friend, Incoherence and Hondo Maclean. Not only was the style good, but the band had great energy, especially the frontman, who must already have girls swooning all over him. Looks aside, he has a great connection with the crowd and, in my opinion, wasn't heavy on the metal clichés like some other frontmen out here are. I'm hoping to see them some more times and am looking forward to any future releases.
