Showing posts with label street punk. Show all posts
Showing posts with label street punk. Show all posts

Saturday, 26 May 2018

Live Review: Jenny Woo + others @ Zimmer, Tel Aviv [26th April 2018]








Jenny Woo

Shortfuze

Helem

Akrabut

Cyanide

Extravaganza





Extravaganza


Starting off the night is possibly the first classic metal band to play a punk show like this – Extravaganza. Comprising of members from Tel Aviv ska, punk, surf, rock and even psychedelic bands, Extravaganza are the supergroup no-one really asked for (sorry). Their reasonably short debut set consisted of original songs that sound like imitations of Dio or Iron Maiden, as well as an enjoyable cover of Judas Priest’s Breaking The Law. Although the songs are actually good and they all play tight, the overall performance resembles that of a hair metal themed wedding band. Even the band name is something you would call a party band. (There's actually a Lithuanian Black Metal band with the same name but that's an even weirder choice.) Shouting "This is a metal extravaganza" throughout most of the set also just enhances the cheesiness. That said, it doesn’t mean they’re not entertaining. The punks here seem to enjoy it, some who even already knew a song or two. If anything, Extravaganza is definitely a band to get drunk and take your shirt off to.

2.5/5  


Cyanide



Up next are a young local trio called Cyanide (or "Tsee-ya-need" to the locals). I think I’ve seen them before but if I had, this was a slightly better performance. Although they play simple punk rock, including covers of Ramones and GBH, you can tell they’ve been working hard to get things right. There is still a way to go. Some of their original lyrics are a bit childish and the musicianship needs some cleaning up in places, but there is certainly potential.

3/5


Akrabut



Hailing from Haifa (via Russia), Akrabut is a new punk trio featuring members of Nezek and City Rats. In a way, Akrabut is on a similar street-punk/crossover wave as City Rats only with a darker edge. At least it sounds darker live, with the reverb on the vocals almost at maximum. It just overall sounds less traditional compared to City Rats, which makes them just a little bit more interesting and intense. Akrabut have tons of energy which shines through in their performance and takes over the crowd, making he venue really come alive. In the same way that City Rats had both the music and attitude to get a bit of notoriety in Europe, I reckon Akrabut have a similar future ahead..if they want it.

4/5



Helem



Back to more new local talent as Helem (which means something like "foolish behaviour" but can also be a play on the word meaning "shock") take the stage. Being pretty much the same line-up as local Oi covers band Oi Lo! minus 2 singers, Helem do fairly traditional Israeli street punk but with the catchiness and almost mainstream sensibility of Oi. As well as their own songs with choruses that can worm their way into your head, their set's highlight is their Hebrew version of What A Wonderful World which has been changed into Ezeh Hara Olam (What A Shit World). Not only does it show creativity to practically reinvent a classic but to do it another language is always pretty impressive. Helem are definitely up there as one of the most interesting punk bands to come form the scene at the moment.

4/5



Shortfuze



Now we go from a band influenced by Oi to a brand new band that considers themselves purely Oi - Shortfuze. Starting off their first ever show with a little bit of simple instrumental ska (to be fair, ska is pretty simple anyway), the band then play a set of classic Oi. Going along pretty typical themes for Oi such as unity, positivity and how great Oi is, there's nothing too original about the songs. However, their token Hebrew song Oved Shaot (Working For Hours) stands out as the most personal and relatable (for those who understand it, that is). I think that goes to show that you can be more creative and expressive in your native tongue. The band then have the honour of being joined on stage by today's main guest, Jenny Woo, for a cover of her song Here We Stand and Chaos by 4 Skins which get the crowd all excited for her set. The main problem for me throughout this set was a sound issue - the snare drum disappeared. It seems as though the mic fell at some point so most of the set was without any punchy snare drum which was a bit of a distraction for me, being a drummer myself. However, I'm looking forward to some recordings of Shortfuze some time soon.

3.5/5



Jenny Woo

And now for the main event of the night all the way from Canada - Jenny Woo! With an electro-acoustic in hand, our guest finally takes to the stage while enduring the interval watching Israelis and Russians dancing to some of the weirdest techno-pop you've ever heard. Although acoustic Oi might not sound that entertaining, Jenny controls the crowd by teaching lyrics and getting the crowd to join in with both her songs like Sound of the Streets and classic covers like I Fought The Law and Because You're Young. To add to the fun, she makes a competition out of the crowd participation by saying who ever sings the loudest gets a free CD or Vinyl (I think she had a few things to give out). Jenny has an awesome voice similar to that of City Mouse singer Miski. It's got a bit of a harshness to it but more comprehensive than someone like Brody Dalle. Jenny seems super sweet and definitely knows how to get a crowd going but I think she was let down a little bit by the venue's sound. Her electro-acoustic was a bit too crackly for the most part. However, you can't beat a bit of classic Oi!

4/5

Unfortunately I was unable to stay around for The Bad Wins and their collaboration with Jenny but I've seen them a good few times before and they are a fun classic punk band with some catchy songs. I'll try and review them properly another time. In the mean time, a big shout to them and to all who took part in this event. It's been quite the evening!

All photos courtesy of Ella Ben Yakar

Friday, 24 July 2015

Live Review: DANGERS/City Rats/Zaga Zaga @ Koro, Tel Aviv [18th July 2015]

   While speaking to some of the members of Zaga Zaga a while back, the name Dangers got mentioned during a discussion of great bands to check out. I took their advice and checked them out. Although crazier than what I normally like, they had some great, raw hardcore energy which impressed. Thing is, I put them on the back burner for a while, never thinking I'd hear of them again. Then, lo and behold, it turns out they've booked themselves a mini Israel tour. This had to be witnessed.


Zaga Zaga


   First band tonight, unsurprisingly, is Koro's resident band (practically), Zaga Zaga. This band are just working nonstop until everyone in the world has heard their frantic and technical noise punk/hardcore/whatever one wishes to call it. Taking on influences from the likes of Charles Bronson, SPAZZ and even The Locust, Zaga Zaga's style might not be everyone's cup of tea (yes, I'm British and I use that analogy) but the live shows are still just full of that energy every band should have. Every member is moving and shouting along and they are just one tight (mental) unit.
   Like myself, I think more people are beginning to familiarise themselves with the band's material, both from their EP and their split with the amazing Joliette. The band also have a great sense of fun, as proven by the teasing of what sounded like a Title Fight song right at the start of the show. As the band sweat through their set, there are people up the front singing along and getting into a bit of a frenzy. Set closer, Industrial Estate, has been my favourite for a while due to it's groovy breakdown from the middle of the song onwards, which always makes me go bat-shit bonkers.



4/5



City Rats


   Aaaah City Rats. The epitome of Israeli street punk. Saying that, there's a very fine line between Israeli street punk and Russian street punk, seeing as the scene out here is quite Russian-dominant. When it comes to talking about long running punk bands in Israel, City Rats' name will always come up alongside Pussy Shel Lucy and Mahleket Hanikot Shotrim.


   After Zaga Zaga, I went to get some cash to buy merch and got back as City Rats had pretty much just begun. It seemed as though quite a lot of didn't realise they had started and were starting to flow in. The pit was still already underway, with drunk punks both young and old running around, convulsing by the mere sound of a D-beat. There's one nutter here tonight who started licking things at one point. Not entirely sure how that came about, but he was licking the PA and monitors amidst his dancing as if it was perfectly normal. Well, this is a punk show; there is neither no normal or abnormal. Music makes you do things, sometimes without thinking or any logic behind it. That's the beauty and magic of it.
   City Rats definitely take their sound from early crust/hardcore punk bands like GBH, Conflict and The Exploited. The musicianship is a cut above the rest where this kind of punk is concerned. The guitarists have some great riffs between them and even the vocals are fairly coherent. I think the band definitely made a good move taking on Gutzy (Not On Tour/BEST) for drumming duties. Not only has he got the D-beat down, but he puts some other interesting things in there too. In the song 2012, I hear something a little out of the ordinary and look over to find Gutzy playing the hi hat and floor tom with the traditional crossed arm technique. This turns out to be his adaptation of the double kick sound, which actually comes out sounding and looking so much more impressive.



  City Rats are certainly fun and punk to the bone. The Hebrew/Russian lyrics don't always sit with me but the music kicks arse, nevertheless.

4/5


DANGERS


    So here's the main point of the evening. LA's DANGERS have got themselves quite a crowd to entertain tonight, and quite a mixed one. We've got the crowd who came down primarily for City Rats, we've got those who generally know and love DANGERS and then we have those who had nothing else to do on a Saturday night.
   The band starts things off with some nice and humorous introductions from frontman Al and guitarist Justin leading into We Broke The PA; possibly one of the best opening numbers you could ever have. It's actually the conversational lyrics of things like "Hello, How have you been?" which make it a perfect introduction. In addition, the explosive groove gets everybody piling on one another almost immediately.
   The pile-ons are pretty much non-stop throughout the show. Not only are those more familiar with DANGERS' work shouting along and grabbing the mic to songs such as the thought provoking Opposable and the insightful Half Brother, All Cop but also some DANGERS virgins find themselves singing along to some of the more coherent refrains in songs. One of the new unrecorded songs, Kiss With Spit, got me shouting the title and Al even grabbed my head and we practically shouted at one another. (See evidence below.) 


   Although their style could be considered pissed off hardcore, they're not one of those bands whose songs all sound the same. A majority go along the disjointed hardcore vein, but then there's songs like I'll Clap When I'm Impressed, the most metallic song in their repertoire, and Five O'Clock Shadows at the Edge of the Western World, one of the most (if not the only) diverse song of theirs, with its mixture of 60s style guitars, sexy grooves and dynamic changes. Because of this, I am pretty sure that everyone here tonight has heard something that they really dig. Along with the sea of bodies down at the front, almost everyone in the place is nodding their heads and grinning from ear to ear; I sure know I was.


    DANGERS definitely have that traditional spirit of hardcore that I like, sharing wisdom and social/political commentary with the crowd between songs. Their lightheartedness and humorous jibes help it all not come off too preachy but just as a gateway into how they think. The whole band (including Anthony on drums and Tim on bass) play to perfection, although due to Al's charisma and stage presence, I'm sure even they'll admit that they sometimes disappear into the background. There could have been a bit more movement all round.


   Unfortunately, a visit by the police cuts the show a wee bit short, but the fact the crowd cry out for more is a good sign that DANGERS have done their job. I can certainly say that I have gone from being someone who only knew a bit about DANGERS to now being a fan. Got the T-shirt and everyt'ing...

4.5/5  

All photos by David "Doh Doh" Rosen