Some new videos from Israeli bands

Seeing as this past week was the anniversary of Israel's independence, I thought it would be fitting to do something I haven't done in a while. Here are some (fairly) new videos from Israeli bands and what I think of them.

Saint God - Narasvette

First up is the Tel Aviv based Saint God. I've seen Saint God once before and was impressed by their creativity and mixture of genres (see review). Having already released their first album Montefiore (which I should review at some point), the duo also released a single, Narasvette. I found the video by accident via BlankTV. Well done on the boys for getting themselves on there.
 The track is pretty much in a shoegaze vibe, with dreamy, fuzzy guitars and echoed vocals. The video features Italian dancer, Giualia Piana, whose free spirited movements fit the flow of the song perfectly. The video is professionally shot and should be getting more attention.

The Fading - Solitude Express

 When it comes to Israeli metal bands, I'm still not 100% clued in. The Fading is a name I have seen and heard a lot since I moved out here. I'm actually still not sure if I've ever seen them but they must be doing something right. Their In Flames style metal has given them fairly wide spread success, most recently gaining them support slots on tour with the likes of Five Finger Death Punch and Bring Me The Horizon.
  The band's latest video is for Solitude Express from their last album Till Life Do Us Part. The video is mostly of the band in their rehearsal room, along with a few snippets of live performances and general "band stuff". The song itself is a good slab of modern metal, with thunderous drums, melodious riffs and growling vocals. I tend to prefer my metal a little bit more creative or fun and thrashy, but for what it is, it's certainly better than some of the more metalcore of bands who use bad clean vocals.

Jack The Envious - Wonderwall (Oasis Cover)

 Speaking of bands with bad clean vocals, have you met Jack The Envious? In all seriousness, despite being unimpressed with the band's original material from the Pull You Down album (another album I'm yet to review), I have been made pleasantly surprised by this total reworking of the Oasis classic, Wonderwall.
  To many, this might be considered "sacrilege" and that most Oasis songs are "untouchable", but even if you don't like Jack The Envious and this genre in general, you have to give them points for creativity. If someone was to hear this without being told what it was, they probably would not guess it was a Wonderwall cover until the first verse starts. The music is pretty much rewritten and given the "easycore" treatment. Apart from the closing melody of the song, nothing much from the original has stuck. The essence of the chorus is still there vocally, it's just been given some added double kicks and chugging guitars. The video sees the band roaming around a big house while playing and swapping instruments, eventually ending in one big house party.
  Probably out of all the covers of the song that have been done over the years, this has to be on the list of the most interesting, even if it does lack the punch that one would hope from this type of band. Taking the iconic drum solo out of such a classic song was definitely a risky move.

Shredhead - Devil's Race

  Yet another Israeli metal band who I don't know as much about as I should; Shreadhead are back after a breif hiatus, dropping this video for Devil's Race which comes from their second album Death Is Righteous released last year.  I've seen them a couple of times but nothing ever really stuck with me. Might just not be my bag, but they are one of the more popular bands that manage to gather fans from both the metal and hardcore scenes.
  The song takes in bits of thrash and death metal, mixing it with an anthemic Pantera-like chorus. The video largely features multi-camera live show footage with crowd close-ups as well as some tour bus/backstage stuff. The concept might be nothing new, but we get to see both the band and the crowd really giving it their all.

Matricide - Unreality

Here's another one. It's funny how many of these videos are actually coming out along time after the album's release. Unreality comes form Matricide's 2013 album, When Random Turns To Fate. Like Shredhead, Matricide are also doing pretty well for themselves out here in Israel, but I'm not entirely sure how well they are doing elsewhere. They are doing that popular Djent-influenced style metal that I'm not all that into but can appreciate why others are.
  This is quite an epic video, almost like a little movie, and the song is a little bit too long for my taste. However, it's well crafted and the musicianship is pretty flawless.

Peled - Ba Be Boom

Some hip hop now. Peled (apparently from Menchamia very close to the Jordan border) is one of those rappers that also moves in the Israeli alternative circles. Ba BeBoom (Hit You With A Boom) comes from the latest album HaKol Alay (Everything's On Me). It's the kind of rap rock mix that was popular in the early 00s. I just happen to be the type of person who still likes that sort of thing.
  I might still not be all that great with following rap in Hebrew, but you got to appreciate the flow. The video is like most southern (USA) hip hop videos. You've got a bunch of cars in a field, dirt bikes, smoking and some breakdancing. Although old concepts, it still comes across as a pretty fresh video and you can't fault the track...unless you're not into that kind of thing, then say what you like. 

Kitat Omanut - Chalumot Gadolim

Going to finish this off with something more punky from Kitat Omanut (Art Class). Hailing from Netanya, these guys play a mixture of alternative and punk rock. Chalumot Gadolim (Big Dreams), from the Rock Yisraeli (Israeli Rock) album, has a bit of a Brit Pop flavour while also sounding like Israeli alternative acts like HaShpung Shel HaPita (The Roll of the Pitta??) and even Israeli punk legends Bo LaBar (Come to the Bar). Both the song and the video are short and fun but I just can't help feel that it's maybe a little bit dated. But what do I know? I still like old Smash Mouth...

Live Review: Azor, Deaf Chonky, Saint God @ Etzabotz, Tel Aviv [12th November 2015]

What's this? A new place? Where on earth is Etzabotz, you ask? Well, it's a sort of art studio that doubles up as a venue and is conveniently in front of the now defunct Koro. I've popped my head in there a few times before to check out what's going on, but tonight I'm here to see the new line-up for rockers Azor as well as some bands I've never checked out before.

Saint God

   As I walk into Etzabot and say hi to the guys from Azor, really the only people there I recognise, there's some heavy rock being played. As I turn towards the very small stage with darbukas buried underneath it, I see a male duo on stage. The band turns out to be Saint God, made up of two guys from Etzabot itself. With only guitar and drums, they still manage to get a cool sound via the use of effects.
   Shura (vocals/drums) and Tim (guitar) play with the right mixture of tightness and looseness; they are musically competent yet still have the feel of a laid back jam session. Vocals are sometimes a tad inaudible due to the venue's low quality sound, but it's all still very coherent. The music style seems to flip between grunge, shoegaze and even black metal, incorporating blast beats and evil snarls. It's definitely the first of its kind that I've heard before, therefore I'm impressed by Saint God and glad I arrived just in time to see them.
4/5

Deaf Chonky

  I like new blood. I love giving new acts a chance and watching the music scene grow. Like with the opening act, I had no idea who Deaf Chonky were before tonight. Another duo, this time two girls, take stage and play a set full of Bikini Kill style rock, experimental musicianship and general weirdness.
   Both girls, Tamar (drums) and Adi (guitar) lend their hands to vocals, which is mostly the sort of shouting associated with riot grrl. Although the girls tackle different styles, it's still pretty minimalistic, which isn't a bad thing.
  Most memorable of the set is Bad Things Could Happen. It goes off at tangents, even touching upon experimental poetry, but always circles back to its simple yet catchy chorus. Another highlight was when drummer Tamar played a bit of harmonica. I'm a sucker for harmonicas, so that made me smile.
   They might not be the next best thing nor the most amazing musicians, but Deaf Chonky do bring something a little different to the table.
3/5

Azor

  Finally, Azor take the stage. Now remember, folks..I'm an honest guy. I don't do bias and will always say what I really think of a friend's band. As my promo of the band shows (see article), I was genuinely impressed from the start by the stoner/punk rock trio, and with new bassist, Shahar (ex-fourfunzies/Woolly Boy), they are on just as good form, if not better.
   Although Azor played the Koro closing show recently in their original lineup, it was a very short set. It therefore feels as if I haven't seen them for a long time. Tonight, drummer Alon is in his trademark leopard skin (print) leggings, Shahar actually sings back up, which I've never seen him do before, and guitarist/main singer, Yuval, is placed in front of the stage (due to lack of space) and waves around his curly mane as he rocks out.
   It's still not totally straight forward what to label the band. Songs like Port City Girl and Paris (bearing close similarities to the Oasis classic, Cigarettes & Alcohol) are more in the vein of classic rock, whereas Shine In The Dark and Magic World are Black Sabbath influenced stoner. Natasha, written and sung by Alon, is their punkiest track. It is not only my highlight of their set but possibly my favourite song of theirs. It has me singing along and throwing my hands in the air.
  The setup tonight is weird, as they are all quite far apart and god knows how they are able to not see each other and still play so tightly. Yuval does go on stage when possible and Shahar also joins Yuval on the floor in front, so I think that helps and definitely proves them to be a well-oiled unit. 
  Due to his accent, which is natural and unavoidable, Yuval's vocals sometimes sound a bit weird to my ears, nor does he have the most impressive of voices, but what he lacks in that department he makes up for with his high energy and showmanship. Both Alon and Shahar also give it a little something on stage, and the overall remarkable musicianship is great to witness. All masters in their field.
  They definitely get the crowd (of about 7 people) dancing like crazy and cheering for them. It's a shame that this was a poorly turned out show, but they've proven in the past to be able to get a big crowd going and will soon be playing to bigger.
4.5/5