Live Review: Atari Teenage Riot + support @ Gagarin, Tel Aviv [29th December 2016]

Atari Teenage Riot
Mechonat Hereg
Eternal Struggle
Soleil Bone



Although bands who plan to come to Israel often get bombarded with negativity by anti-Israel activists and the like, never was there more of it from within the country itself than when self proclaimed anti-fascists and fans of Israel, Atari Teenage Riot (ATR), announced their Tel Aviv concert. Many people were confused at how anti-fascists can love Israel and thus saw the band as hypocritical. At least this is how it came across online. It turns out that more people were just a bit annoyed that such an underground (albeit highly influential and respected) act as these German originators of the digital hardcore sound were playing such an expensive show. However, that hasn't stop most of the people who have come out tonight, both to see ATR and the interestingly mixed local support. 

Soleil Bone

  Unfortunately, I arrived a little late and missed opening act, Nute, but did arrive in time to check out the weirdness that is Soleil Bone (pronounced Bo-nay, I believe). Noise/experimental music has never been my favourite genre. I like it when it has a lot of intensity, passion and a even a hint of structure. Soleil Bone are more along the "let's just play and see what happens" method of noise. With a drummer (initially masked) playing quite sparsely, a guitarist creating a lot of fuzz and distortion, a guy on a controls making random noises and a vocalist growling the majority of the time, it's certainly an interesting support act but hardly anything breathtaking. It reminds me of a band made up of old guys I saw a few times in Derby, who I believe were called God Has Tits. They basically just got on stage and had a go at instruments. I think that Soleil Bone know how to play... but decide to go down a less musical path.

2/5

Eternal Struggle

I might need to stop reviewing these guys soon as I don't really have anything new to say. Among all the more metalcore bands and hardcore punk bands in the county, Eternal Struggle bring that crushing NY-style hardcore that I've always loved. They're pretty damn lucky to be put on this line-up. It might not make sense to many people having a Hatebreed/Born From Pain/Terror style band at a show like this but variety is the spice of life! Seeing as ATR have their ties to punk and hardcore, it's a nice idea to have at least one punk or hardcore band supporting. Being made up of drum n bass lovers and ATR fans, Eternal Struggle maybe seemed like the most logical choice (also, their manager organised the event but shhh!).

Although Eternal Struggle get a really good crowd at their own shows, the head count isn't quite the same tonight because of this particular event's demographic. However, their mosh parts and beatdowns get a few people running around and a fair bit of hair banging. It's a shame they didn't do their usual cover of Sick Of It All's Take The Night Off but maybe it is about time they stuck with the strength of their original material. Hardcore dancing still isn't quite the done thing out in these parts but they would totally get that sort of action Stateside and in Europe.

5/5

Mechonat Hereg

When this show was initially announced, there was no doubt in my mind that Mechonat Hereg (Killing Machine) were going to support. I don't know much about them and only caught them live briefly before but they are essentially the Israeli Atari Teenage Riot. The blueprint is essentially the same; fast breakbeats, noises and harsh punk-like male/female vocals. Difference between the two acts is that ATR actually have structured songs. Mechonat Hereg are more of a rave band for low-key shows. They've got good energy and are the only people doing this sort of thing in the country (as far as i'm aware). Unfortunately, the music keeps randomly dropping out (some form of technical issue) which dampens the atmosphere a little and is generally a tad disappointing. The vocals and delivery are also nothing special, although vocalist Yam has an interestingly super high-pitched voice which reminds me a little of Manda Rin from Scottish electro-Brit pop trio Bis. Technically, that's a good thing as I loved Bis but I can imagine it's not for everyone.

2.5/5

Atari Teenage Riot

As more people fill up the Gagarin dance floor, everyone's anticipating the main event. I, personally, have always respected Atari Teenage Riot as I liked how they mixed electronic music with the intensity of punk. This especially came through in a live clip I saw of them from Reading Festival '99. Although I was actually at that festival as a 13 year old (my first ever big show), I didn't go the day they played but managed to catch it on TV. With the old line up including the late Carl Crack and former co-singer Hanin Elias, it was simply a high octane performance full of full throttle beats, screaming and buckets of sweat. I know that the line-up has since changed but I have been hoping for that same kind of experience.

As the lights dim, we faintly see Zan Lyons, a sometime member of ATR, step behind the table of laptops, controls and samplers. He's closely followed by man of the night, Alec Empire, the main founder of the group and poster boy for the fast paced, noisy and hyper digital hardcore sound. Alec is encouraging the crowd from the start, raising his clenched fists in the air as the venue fills with pulsating rhythms and noises and Zan operates visuals.

During the set, Alec moves to the foreground to shout and jump around with partner-in-crime, Nic Endo. Although it is odd to see her without her iconic painted Japanese symbol on the side of her face, Nic still has an amazing presence as she moves around the stage in an almost assertive fashion. Likewise, Alec has the complete attention of the crowd and they have his, as he locks eyes with everyone while spitting his lyrics of revolution and anarchy.

Many of the ATR fans here tonight have most likely come because of the band's earlier work. Some of the newer songs from the 2014's Reset album, such as J1M1 and the untypical Modern Liars with its strangely melodic and pop-like chorus, do not fare too well at the start of the set. However, it's actually album track Transducer's heavy thumping beat that initially gets the crowd uniting and thrusting themselves around like a wave. The more classic tracks like Revolution Action, Into The Death and No Remorse (I Wanna Die), the latter of which contains a Slayer sample, get the biggest reception from the crowd due to being the more energetic and punk/metal influenced.

Although there are those out there who may not be happy with the change of line-up, it does not seem to have affected ATR's live performance. Their set may contain newer songs that break away from the sound many fans know and love but the high energy and dedicated performance that I remember seeing on TV all those years ago is still there. Alec's personal love for Israel may have definitely encouraged his enthusiasm but I'm pretty sure him and Nic have that same passion everywhere they go. 

4/5
All photos by Adam Oscar

Live Review: Jeronimo EP Release Show @ Maaxan 7, Beer Sheva [25th August, 2016]

Lion's Den
Jeronimo
Elephant Hive
MAGA

Continuing with trying to venture outside of Tel Aviv for shows, I got a lift down to Maaxan 7 in Beer Sheva (South Israel) to celebrate the release of their 2nd EP by post-punk rock trio, Jeronimo. Two classic rock trios, MAGA and Lion's Den, and experimental rock duo, Elephant Hive, have also come along for the fun on the evening that also happens to be Lailah Lavan (White Night - not a racist thing) in Beer Sheva.

MAGA

Starting off the proceedings as soon as they arrive, Tel Aviv's MAGA play through their set of classic style blues-rock. Taking in elements of late 60s/early 70s bands like Creedence Clearwater Revival, Cream and even Black Sabbath, the trio play catchy numbers with all the energy of their predecessors. With some songs being more uptempo and simply structured (e.g. Did You?) and others introducing more groove and experimental tangents (e.g. Again), they have a varied enough repertoire to be considered entertaining. It's incredibly difficult in this day and age to play this style of music and come off as original, so there are no real surprises here. However, they are convincing enough, both in look and in sound, to make one believe that you are somehow watching an actual 70s band.

3.5/5

Elephant Hive

This is either my second or third time seeing Elephant Hive. I can't remember, although I've definitely already reviewed them. Having set themselves up with their own drum kit in a position more central of the venue, the Tel Aviv duo still play short blasts of experimental, jazz-tinged rock but with some different songs to their previous set(s). They seem to have added pieces with more structure. The drumming and guitar riffs sit perfectly well together and everything sounds more controlled and song-like. One song in particular is reminiscent of Primus' Shake Hands With Beef. It has a similar low-tuned, funky groove and even the same quirkiness. They certainly have impressed me more this time than before but I still think they currently cater to a pretty niche demographic.

3/5

Jeronimo

Although it's meant to be their night, Jeronimo hit the stage as the penultimate act. As the band plays a few tracks from their first EP (the ORANGE one), all 3 tracks from their latest EP (the PURPLE one) and some as yet unreleased tracks, it's obvious to hear how their sound has matured.

They are a band that states to have a Fugazi influence but it's the side of Fugazi that I, personally, don't quite connect with. I like the Fugazi with funky bass lines and angry punky vocals, whereas Jeronimo take more from the intense, progressive side of Fugazi's post-punk sound. It is still enjoyable and really showcases their musicianship. Bassist Auriya provides us is with some groovy yet subtle licks on tracks like Lions Suspended in Air and their self titled track. It is drummer Itamar who especially shines through; his overall steady timekeeping and ridiculously tight drum fills are impressive and a joy to watch. Guitarist and co-vocalist Yonatan also gives a great performance, even going amongst the crowd during solos. 

The band do have a few good riffs and some fun moments but, sadly, I think it just goes over my head a little. They are doing very well for themselves and working incredibly hard and that deserves great respect.

3.5/5

Lion's Den

Finishing off the night is hairy Tel Aviv trio, Lion's Den; one of those few bands whose look reflects their name. The band tends to be closely linked to the previous mentioned MAGA but their styles are actually quite different.

Although there is a hint of similar classic rock and blues influences, the likes of Pearl Jam and Soundgarden come to mind as I watch and listen to them. There's a mixture of laid back and funky grooves met with some low, grunge-like outbursts. Along with the bare chests and long curly hair, I can't help but think that these guys would've been great on the Seattle scene.

The chemistry between guitarist/lead singer Yoni and bassist Yoav is strong however drummer, Itay, is not always quite on the same wavelength. He still does a great job, playing with full energy. I'm definitely glad I've finally seen Lion's Den, as their mix of Seattle grunge and classic blues rock has pleasantly surprised me.

3.5/5

Live Review: Liberating Justice Mini-Fest @ Gagarin, Tel Aviv [29th July 2016]

Ganza

Eternal Struggle

Knees Please

Methods

Almonim Metim

Elephant Hive

Tonight, the Gagarin club in south Tel Aviv sees a coming together of bands of different genres in order to collect donations of tinned food, clothes, condiments and other such items for refugee children. The event has been put on by Eternal Struggle members for the Elifelet charity.

Elephant Hive

First on tonight is Elephant Hive. They are a crazy rock duo who play really short cuts of instrumental experimental rock. The idea and the energy is great but, from a drummer's point of view, the drumming is a little too over the top and sometimes doesn't sit well with the guitar. It feels at times that the drummer's choices are kind of unnecessary. He even uses an upside down champagne bucket (of sorts) at times which mostly sounds great but has its moments where it is out of place. The guitar riffs are actually good but there are some "songs" which feel totally unfinished, such as Tom Shush, which suddenly stops as it was just getting going. They certainly have talent but just feels too much like a jam band at the moment.

3/5

Almonim Metim

I've reviewed noisy punk outfit Almonim Metim (Anonymous Dead) before and even played a show with them (with Woolly Boy) but each time I tend to hear something new. On the surface, they are just a "shouty band" but beyond singer Anastasia's screams, there is Amit's jangly guitar, Benjamin's soulful bass lines and Ben's interesting drumming that give them something a little different. It even sometimes brings up elements of surf or 60s rock which not many expect to hear in "screamo hardcore punk." 

The screaming does get repetitive at times and this isn't the most energetic I've seen Anastasia (one time she came up to me and screamed in my face). The band in general are a little agitated already by the age restriction hindering friends from coming in, so that might have something to do with it. I think they have something special musically but the vocals could do with more dynamic changes to keep in with the dynamics of the music itself and just to keep things that little more enticing.

3.5/5

Methods

Methods are another band I've reviewed before and I liked them then and I like them now. The music they do is quite refreshing, not just in the Israeli music scene but in general. Their music reminds me of bands like Therapy?, Incubus and even Three Days Grace all sort of mashed up together. They use dynamics and sometimes changing time signatures which are interesting but sometimes sound messy. They nevertheless do have some catchy songs, like Sub-dimension, which makes me smile!
 The sound in the venue isn't helping them all too much. It could just be where I am standing but it all sounds pretty scratchy and unclear. The rest of the crowd, as small as it is, are moving a bit but I think might be going through the motions. Methods' sound could be considered a little too mature for some show goers. Sometimes, people just like to switch their minds off when they go out and listen to very angry people play very angry music... angrily. Methods have melody, precision (at least try to) and follow almost pop-standard writing formats. Hence the name, probably. It's methodic and well thought out. Although there are a lot of bands that you can say that about, with Methods, it's somehow more apparent. They've got to get tighter playing-wise, but musically, they have something good going on.

4/5

Knees Please

I've reviewed Knees Please before, both live and on record, I've seen them a bunch of times and even did a show with them and I've tended to really love them. Now, however, I'm not all that into it.
This show in particular consists of all new material that I am just not feeling. Besides Barry The Lizard, which is an interesting groovy number, everything else is just a bit too long and uneventful for me. They're still a heavy band and have great stage presence, but sometimes my head can't deal with 30 minutes of only 5 songs. This is unfortunately one of those times. I may be alone, though, as others are headbanging and "moshing" away and simply liking the heaviness. 

3.5/5

Eternal Struggle

I only recently reviewed their latest EP and am most likely going to do more of a write up of their upcoming EP release show, so I'll keep this short. Eternal Struggle are doing groove based tough guy hardcore and they are doing it pretty damn right. I think it's still lost on most of the crowd here tonight who, again, are just enjoying the intensity of the music. The Sick Of It All cover of Take The Night Off only sees a few people, like myself, actually singing along to it. There is still some movement and audience participation but I am never going to stop finding the fist raising and the "hey" chanting misplaced and generally quite annoying. That's just me. Call me a snob, if you will, but I just think there's a time and a place for it and an Eternal Struggle show isn't it. There should just be bodies running about the place and high kicks and bloody faces. These guys need to get to Europe and they'll get the reaction they deserve.

4.5/5

Ganza

With a new vocalist and new drummer, Ganza are practically a new improved version of the band I saw a while back. Whereas I previously likened them to basically trying to be Alice In Chains/Guns n Roses tribute act, new singer, Max, takes their sound into more Pantera territory. Despite having the same songs, everything just somehow sounds a lot heavier and I am digging it more this time around. Butterflies, especially, comes out sounding great and everything is made even more entertaining with Max spinning his hair around.
By this point in the night, there isn't much of a crowd left, but those who have stayed are running around and some even singing along. Ganza might still be nothing special, but they have improved.

3.5/5

It may not have been the biggest turn out I've ever seen for a show like this, but it was a massive result for the Elifelet charity. Well done to all involved.  


Thank you to Assaf Bergerbest for the photos (where labeled). 

New single and video from Israeli drum and sax duo, Malox

When It comes to Israeli bands, there tends to be the odd gem here and there that incorporates more traditional music in a creative way that comes off sounding incredible. Amongst acts like Boom Pam and the internationally known Balkan Beat Box, Malox, made up of Eyal Talmudi (saxophone/bagpipes) and Roy Chen (drums), bring us fun blasts of experimental jazz, Gypsy music and ska with punk aggression, a la acts such as Acoustic Ladyland, Gogol Bordello or even Madness. I witnessed them for the first time randomly at a show at the Rogatka and was simply taken in by how simple yet fun it was. 

The track, Natanya, is the second single after their Walk Like An Egyptian cover to come from the new album Gaza Trip. For those, like me, who love both drums and saxophone and the idea of both together is almost sexual, this should not disappoint. It's not too crazy or long like some experimental music but is still fun and frenzied.  

The video, directed by Ben Tversky of Zaga Zaga/The Driers etc.. and shot by local show-filming legend Liran Rehana, is simple but suits the vibe of the track. It also features some familiar faces from the Israeli punk and alternative scene. 

If this interests you, Malox are having a release show tonight, 31st March, at Buscula, in Tel Aviv. Tickets are ₪43 in advance here. 

Review: MONGAR - Spectra Visions EP [2015]

Last month, Tel Aviv based duo, Mongar, finally released their first EP, Spectra Visions. I first experienced Mongar at a show at Koro back in November 2014 (see review). I say "experienced" because it's not just seeing them and hearing them but being amazed by how much creative musicianship can come from only two people. 

  As witnessed in the live show, Mongar, made up of Roman (guitar/effects) and Hagai (drums), play experimental, instrumental post/math rock. This record, although only 4 tracks, shows off their style pretty well, as well as showing their versatility. 
  The EP starts with the quite bluesy sounding Sheriff Goodman. With its twangy guitars, steady drumming and a few "spacey" effects, it has the potential to be a theme tune to some sort of sci-fi Western. Whereas Sheriff Goodman has very much a set style and even theme to it, the other three tracks on here lean towards the 65daysofstatic/Alright The Captain style of experimental instrumental music. They all still stay quite futuristic and calming despite a few shots of heaviness.
  Doklyn is a trippy track that experiments with time signatures and rhythm patterns. It's relaxing but gets more punchy as it goes on. Zoltar and Chocky are more metallic, with the former fusing doom-like blasts with smooth electro and samples and the latter taking more from the Meshuggah school of playing.

   For those who don't really like instrumental and/or experimental music, the tracks are still short and comprehensible enough that they should be considered enjoyable by lovers of music in general. Mongar manage to show an ability to even make soundtracks and soundscapes, which is a very admirable and respectable quality. I am glad that, on top of being impressive live, they also pull off great recordings with slick production and a lot of professionalism. I'm looking forward to an album and more shows!

5/5

Review: Seas Of Mirth - Esmerelda EP [2015]

  From the murky waters of Nottingham comes the pirate themed folk band, Seas Of Mirth, who have been..err..making waves (sorry) in the music scene for some years now.

While I was living and studying in Derby, I remember seeing Seas Of Mirth at a very early stage with what I believe is almost a completely different line-up to now. The fiddler was a friend of mine from class. I can't remember if it was the same time, but two other "future" friends were also in the band and are there to this day.

  I never really got the whole pirate theme thing and I am not a fan of folk in general but the band's sense of humour still grabs me. Having grown to a nine piece band, consisting of instruments such as cello, accordion and bouzouki (!), they are still active 8 years, which is both admirable and impressive. 

  The Esmerelda EP, the band's latest offering, delivers 3 different tracks of their weird signature style of folk. The title and leading track is quite a romantic sounding song. Bearing in mind the band's persona and theme and paying closer attention to the lyrics, it seems to be more of an ode from a pirate to his wench. It still has a sea shanty vibe that the band are known for due to the violin and vocals but with an added spaghetti western rhythm. The vocals, sung by Fruitshoot Pete, bring to mind that of Nick Cave, especially in the softly sung parts of the verses.

  The EP changes pace with Hands Off My Chest. As soon as it begins with an a cappella voice declaring "...you will never get your hands on my treasure chest", you know this is going to be a fun song. It bounces along in an almost ska punk way, at times, but ultimately has a very Zappa feel. The midway change not only brings to mind Zappa but also Mr Bungle, as it explores jazz and progressive rock. 

  Final track, Even A Bull Needs Milking, has a catchy accordion hook (first time I've written that sentence) along with a galloping, early Broadway type rhythm a la Putting On The Ritz. The mixed male and female vocals are pretty and the musicianship is spot on, but the song generally isn't as punchy as the previous two, even when it goes frantic. 

  

  Compared to previous releases, the production on this record is immaculate and proves that the band really mean business. They're obviously going to make some people scratch their heads but seeing as folk stylings made a comeback with the likes of Mumford & Sons and Laura Marling, there is certainly more of an audience now who will respect Seas Of Mirth's direction and musical experimentation. I'll certainly be looking forward to the next album. 

3.5/5

New single and video from UK's Let's Talk Daggers

   I came across the name Let's Talk Daggers some time last year when I saw them listed to play a London show with Israeli hardcore band Kids Insane. The three-piece from Eastbourne, UK, play chaotic music, mixing elements of hardcore and experimental.
  Today, they have released their video for latest single, I Love You Dad, But I'm Mental, the first to come from their upcoming debut full length, A Beautiful Life. Both the song and the video are all over the place. It has a hint of Mr Bungle/Fantomas about it in general but switches between punk, disjointed hardcore, jazz and even latin music.
   If you like your music jam-packed full of changing time signatures but still angry and energetic, then check this out. If you like this, then you can go and see them for FREE at The Unicorn in Camden, London, tomorrow night (just in case I actually have any London readers.)

NEW VIDEOS AND SONGS FROM ISRAELI ACTS

   It's been a while since I've posted some videos, so I'm posting a few different batches of them, This one features videos and new songs by Israeli bands. Some of these videos are a few months old but still might be new to some of you.

Cain and Abel 90210 - HaMechonah (The Machine)

  Cain and Abel 90210 are one of the most mental bands in Israel. In this video for HaMechonah off of their latest Videodrome release, we see the weird humour and playfulness that the band is known for that we did not see in previous video for Lakach Zman (see here). As well as seeing the band aggressively rock out, we see the band bring back their masked alter egos. Due to the song being fairly long, there's quite a lot happening in this video but none of it is boring. The song itself is also a return to the band's groovy and mental alternative metal with humorous lyrics. Even if you don't understand Hebrew, you must check this band out for some weird yet catchy heaviness.

Wounds Never Lie - Elephant (Home)

    Elephant (Home) is the first single from the upcoming Exhausted Waves EP by Israeli metalcore starlets Wounds Never Lie. The song is a little more along the lines of what some people may consider "easycore", as it has some proper singing, melodic bits and an emotional sing-a-long chorus. The verses are still typical jagged and angry metalcore. It might not be ground breaking but it's certainly less irritating than some metalcore nowadays. 

   The video itself is actually well shot and pleasantly simple. Some people might find performance videos boring, but I actually like them. Here, we see the band playing in what looks like someone's living room, although not altogether. We see each individual member doing his own thing in pretty much the exact same spot in the room. It is shot in a sort of independent film style, which adds to the sentiment of the song. The lyrics are a little confusing to me, but the general gist I get from it is that it is meant to be a positive message about moving on through life's struggles. 
   The EP is set for release this month and another video for the song Executer is expected any moment now.

Bryan The Mage - Comfort Zone

   Bryan The Mage (seems to be a role playing reference with the misspelling of "Brian") are a young pop punk/easycore band out of Haifa. Comfort Zone is their first single and first video clip. The song has a very catchy chorus, some good grooves in parts and an electrifying guitar solo. When reading through the lyrics, there are some small spelling mistakes which, funnily enough, are not even the mispronounced words on the track itself. Ah well, it's the Israeli accent. What can you do? In the video, we see the band performing at what could easily be some sort of school prom. Typical school dance lighting shines upon kids doing their best push pit possible as the band rock out on stage. 

Shtuby - Mazeponia / 7 Arms

  The most electronic and out of character act for Punkalovich that I'll be posting today is the solo act Shtuby. Shtuby himself (Yuval) is an all-round musician whose small studio I used to rehearse in once upon a time in a band I drummed with. Since then, I ran into him at a show for a band called Golden Sheet who he was drumming for. Shtuby now has his own experimental act where he mixes different styles of music and uses instruments such as theremin and flute. The first video I saw from Shtuby was for a song called Mazeponia, where I saw Shtuby pretty much giving birth to his music by recording things such as kitchenware and a make-shift drum kit made from industrial metal amongst other things. 

    7 Arms is the latest offering, with a bit of a weird video where Shtuby is head to toe in a body suit which changes colour throughout, as does the background imagery. If you like experimental electronica, check this out. The live show is meant to be equally spectacular!

Skarate Kid - You're Not Alone / Skata 1

   Finally, I'll finish with another 2-in-1, this time for brand new ska band Skarate Kid, which features members from Israeli punk bands. Ska and 2-tone has been a bit scarce in Israel in recent years and now Skarate Kid have come on the scene to fill that void. 

   In the You're Not Alone video, we see the band simply playing in the Street Music studios in south Tel Aviv. The song is upbeat with a positive message, very much like the British 2-tone of the 70s and 80s. The instrumentation is superb. 

Skata 1 (audio only) is a more traditional sounding instrumental track similar to Symarip and Prince Buster, with the saxophone leading the track, accompanied by the odd "Pick it up!" "Huh!" and "chukka chak". I'm a sucker for ska, so if you are too, check them out!

Review: Zaga Zaga - 2 Songs Demo + 4 Songs EP = Zaga Zaga 7 Inch (2015)

  Regular readers of this blog (pffft...who am I kidding?) will already be aware of crazy Tel Aviv noisemakers Zaga Zaga from previous articles. This week finally saw the release of the appropriately named yet lengthy 2 Songs Demo + 4 Songs EP = Zaga Zaga 7 Inch. Despite having 6 songs in total and an elaborate title, this record has a total running time of approximately 7 minutes.
  As the title suggests, the first 2 songs are the same as last year's demo. From the get go with Song About Food and Customer Service (although this time spelt ...Costumer Service, which is either an accidental error or a purposely misspelt play on word), we get a barrage of fast finger picking, frantic drumming and full bodied vocal projection AKA shouting. The rest of the EP continues along the similar musical premise. 
   Either due to the songs being short or resulting in such, there is nothing too complex or deep within the lyrical content. However, they are not just shouting nonsense; Song About Food... and The Dancer are both reflect on real experiences and are quite relatable. While the former is the sort of song you'll have running through your mind as you shout at an incompetent waiter/waitress, the latter focuses on "the scene" and how people act at shows. At least that's what i take from it. Damn That Dog and Samba Samba are less obvious to me. I have not yet asked the band the meaning behind those songs, but there must be something. Samba Samba has an amazing middle section, which somehow (although I'm pretty sure it doesn't) sounds like it has a small horn section at parts. The band also covers Charles Bronson's Youth Attack; although hardly reinventing the track, they retain the aggression of the original, adding a little "Zaga Zaga-ness" preventing it from sounding too much like a carbon copy. Last track (I Just Called To Say) I Hate Your Band, reverting back to literal titles, is again a song focusing on experiences and personal opinions. If you've ever wondered why a certain band you think are atrocious are still managing to release record after record, play shows and get countless media coverage, then you could relate to this song. It is also catchy enough to have you shouting along to it.
   When I first saw the band, I wasn't totally taken by them. I saw them as just a repeat of Pinkeye Revival, a band that featured some of the Zaga Zaga members which I was not all too impressed with at the time. However, the more I see the band live and with the tracks on this record, I am beginning to admire the passion, aggression and musicianship (as masturbatory as it can come across at times) of Zaga Zaga.
  For fans of Charles Bronson, The Locust, Dangers and other fucked up shit!

4/5 

Live Review: DUST/Lunamore/Woolly Boy @ Syrup, Haifa [23rd January 2015]

  This review is going to be quite brief but it should not diminish its' importance. Not only is this the first show in Haifa (north of Israel) that I am writing about but it is also my band's first ever show.

Woolly Boy

Obviously, I'm not going to rate my own my band. I will however say thanks to Sasha of hardcore04 for putting us on this show, thanks to the sound engineer and barman at Syrup and to all who came to watch us. For a first show, we just sort of went with it. We had a few mess ups due to not enough practices but I like to think the stuff we played well sounded good. Unfortunately no-one filmed us. 

Next time....

Lunamore

Lunamore are one of those bands who do that emotional, well orchestrated, experimental "screamo" type music that is quite popular. The young 3-piece, as always, gave a great performance. They set themselves up on stage as they would in rehearsal; they stand in a triangle facing one another. This is a good idea as they are able to still stay in communication with one another and in sync even while playing ever changing time signatures, dynamics and rhythm patterns. Lunamore are the type of band that you do not need to have listened to their stuff before to enjoy live. A good part of their set is mostly instrumental and moves from being beautiful to frantic within seconds. Yam explores his guitar pedals while Bar shows how varied his drumming repertoire is and Naama handles bass duties effortlessly. Having seen them live a few times before, there is the odd riff here and there that has me smiling and whirling my head around. I believe they have been in the studio working on something and I can't wait to hear that.

4/5

DUST

I simply love Dust. Not only do I love that they're really the only Israeli band playing this style of groove-lead hardcore and doing it right, I've gotten to know them a little bit better as people and they are great guys. As well as playing tracks off of their self titled ep (namely Midas Touch, Slipping Away, Numb and PMA), the band also plays some tracks that I recognise from other shows (such as the one including the "I'm tired of being sick and I'm sick of being tired" refrain) and some brand new songs. The band are tight, which is not easy when you're also switching time signatures within song. I hope these guys bring some new record out soon and start making a name for themselves outside of Israel.

4.5/5 

Live Review: Laila and Haziz Veraam @ The Zimmer, Tel Aviv [27th November 2014]

Tonight, I come to The Zimmer, the place considered Tel Aviv's hub of the weird and wonderful, to see a band I have not seen in quite some time.

Haziz Veraam

As I enter the Zimmer, albeit a tad early, there's not that many people here but the first act is already setting up. The whole performance area was filled with TV monitors of different shapes and sizes. In front of the monitors was a set up of a sound desk, modules and sound generators. I'm not going to pretend to really know all that gets used in experimental, noise and found sound performances. I still haven't much personal experience with those sorts of things. I studied sound recording, using computer software and a bit of akai sampling and tape looping but not the gizmos that I witness here tonight. Haziz Veraam is an ambient music project from Zimmer owner and half of Hetzi Moakh Al Ketamine. To be honest, I think I missed a good part of this performance. When I came in, I just thought it was a bit of a soundcheck or simply some background ambience as an introduction to the evening. I left the place for a while and came back to a slightly fuller Zimmer. As the ambient music of rapid bass lines played, there was static, spirals and all sorts of weird visuals on the monitors. If I had more of an understanding of how this sort of thing is done (and I will start looking into it), I probably would be more engaged in it. It is however a nice calming start to the night and the installations and the visuals were a nice change to see at a show.
2.5/5

Laila

Tonight's headliners Laila are made up of Maya on drums and lead vocals and Avishag on guitar and backing vocals. I have seen these girls a few times before and I always enjoy them. They play moody, almost sludgey "shoegaze" music. They start off the set with a slow, heavy hitting intro which builds along with Maya's vocals. From the get go, Maya has a lot of emotion in her voice. From what I can make out from the lyrical subject matter, she tends to sing about love and/or unrequited love. Her feelings show through as she spits her lyrics with every breath. Changing her vocals from dreamy and seducing one moment to sharp and aggressive the next, her vocals match their musical stylings. Avishag's guitar playing has similar dynamics, using her pedals to good effect. Avishag also helps with backup vocals, which are nowhere near on par with those of Maya's; it's better than just standing there doing nothing. It is a little disconcerting that the two girls are a fair distance apart on the..er...stage, which is really just the floorspace. It's normally nicer to see a band a little bit closer knit, but musically the girls still manage to keep it together.
Having been a singing drummer myself, I can say first hand that it's not all that easy. If you're doing too much complicated drumming, it can make you run out of breath and disrupt your singing. If you're concentrating too much on the singing, you can get distracted from your drumming. Maya manages to play simple enough yet still effective drum patterns that not only help accentuate Maya's meaningful lyrics, it also frees her up to sing melodically. Some of the songs nearer the end have an almost indie feel with "ooohs" and "wooohs", which in this case I found quite endearing.
Throughout the set, the monitors which were set up help add a bit of atmosphere and theatrics with varying visuals such as cowboys, trains, fish and space. Whether these visuals actually had any real purpose...probably not, but this is expected at a Zimmer show. The barmy lot! During a more frantic part of the set, the monitors flash rapidly, adding to the intensity of their playing. That I found impressive. At the very end of the show, the girls swap roles and end the show with a more heavy, dirge-like piece. It's always good to see band members' expanded talents.
Moving from dreamy, low-fi rock to more harsh and heavy styles, Laila are captivating enough to keep your head a-boppin' and you toes a-tappin'.
4/5

Live Review: Megason/Zaga Zaga/Mongar @ Koro, Tel Aviv [20th November 2014]

Mongar

Arriving a little bit late to the show (which i genuinely didn't think was possible for an underground Israeli show), I was told by those at the door that the band Mongar had just started. I had no previous idea who Mongar are. I could have checked, done a bit of research, watch the videos that were posted on the event page....but I tend to not do that so much anymore. Not for a brand new band. I like to be surprised and just see how well they can hold my attention in person. 
As I enter the stage area, I see a 2 man act on stage; a guitarist with a pedal board and a laptop and a drummer listening through headphones. I have definitely seen the guitarist around. Always assumed he was a German tourist or maybe a German volunteer living out here. Definitely looks German. Anyway.... I digress. The music these guys play is experimental instrumental rock. They swerve in and out of being more in the vein of 65daysofstatic to heavier vibes not too dissimilar to Lightning Bolt or even Animals As Leaders....only with less musical masturbation. Obvious instrumental bands references aside, there are moments that sound Tool-esque in timbre, and although I am not a massive fan of Tool, I admire the musicianship. Mongar as a team are absolutely flawless. Their laptop seems to be utilised as their metronome and providing backing tracks. The guitarist is relying on the drummer to keep time with the whole track and he doesn't disappoint. The drummer is absolutely incredible. He isn't just playing standard experimental jazz beats that you would expect in something like this, but he plays my favourite beats to play; Drum n Bass beats. I love just about anything that uses dance/dnb/jungle/sometimes even dubstep style rhythms into primarily more rock orientated songs. That is what truly classes as "experimental". When you bring different things to the table. These guys had me tapping my feet, nodding my head and in total awe of their playing, their melodies, their beats and their overall creativity. 
4.5/5

Zaga Zaga

What can I say about Zaga Zaga? They're just bloody nuts. They like wearing smart shirts when they perform. Nothing wrong with that. Tonight, they have made and hand drawn their own banner which they tape to the back wall. Nothing wrong with that either. Their music, on the other hand, is just barmy. Including members of Mad Choice, Knees Please (ex-Tape&Rape) and whatever else the drummer might be in (haha), these guys play something quite different to their other bands. They themselves don't even really know how to describe it.

Basically, if you ever liked The Locust or early DEP, you will like Zaga Zaga. They are a punk band, essentially, who just happen to play totally fucked up hardcore. The songs are really short and played really fast, apart from their opener which has an epic beginning where they are all shouting together. Every member gets to do vocals. Everyone. Sometimes in other bands, the drummer won't want to sing, sometimes the bassist doesn't. In this case, everyone is the frontman. This adds to their intensity and the enjoyment of watching them. They feel the music they play too. What's the point in playing music this chaotic and energetic without flapping about like a fish out of water? It took me a while to really appreciate this band from when I first saw them live, but I have begun to enjoy them for the mentalists that they are.
4/5

Megason

Tonight's show at the Koro finishes with psychedelic stoner rockers Megason. I have seen these guys a few times before....but seem to always forget that I did. I don't know if it was because I was quite tired or because I wasn't really in the mood for this kind of thing, but it didn't really do anything for me tonight. They are great musicians and their music is enjoyable to listen to, but when watching them live, there's nothing memorable about them. Maybe I just need to get more used to their material and watch them live a few more times to really appreciate them. 
3/5

Live Review: Zimmer//Koro Play Swapsies #1, Tel Aviv [Friday 7th November 2014]

Reel Dinazeor

Brutal Gardener

Neta Polturak

Hetzi Moakh Al Ketamine

In Tel Aviv, there are quite a few music venues and bars that do live music. Within the very underground scene, there are two fairly leading venues; Koro and The Zimmer. Koro, even in its original form as both Rogatka and Petiphone, hosts shows week after week spanning several different genres, currently focusing on punk and hardcore, due to the clan of co-owners being from different bands of that ilk. The Zimmer also focuses on the underground scene and tends to go for a more eclectic and surreal taste of music than the Koro tends to. This evening is the first installment in this month's line-up swap between the 2 venues. Prior to the show, I had no details about the acts apart from their names so I went to this open minded.

Hetzi Moakh Al Ketamine (Eng. Half a Brain on Ketamine)

The first act is a 2-man outfit, consisting of a guitarist and a guy sitting down at a table of mixers and, I'm guessing, sound modules. I didn't get a close enough look. From first glance, I thought that his was either going to be digital hardcore, noise or electro. I was ever so slightly surprised. Hetzi Moakh.... have a very soundscape vibe. It's "shoegazing noise soundscape". It was all quite chill. While the guitarist plays dreamy yet also at times menacing melodies, it is accompanied by clicks, beeps, heavy pulses and whirling sounds. I'm still not really much of an expert on this kind of thing, but even though this was experimentation, it sounded seamless and well structured. These guys could easily score some sort of thriller movie or psychological drama. It was a shame I had no idea what the guitarist was singing when on the mic as there was just so much reverb, but apart from that, nothing seemed wrong or out of place. The only issue is that they did what seemed like only 2 separate "compositions" in the space of about 15 minutes and then walked off stage. That's where I and this sort of thing do not really meet. I like a bit of interaction. Other than that, it was an interesting intro to the night.

3/5

Brutal Gardener

Brutal Gardener is one guy with some FX pedals, a sound module and what I later saw to be an oscilloscope. He plays what very much constitutes as noise.....and I don't really get it. It was a good 5 or so minutes of helicopter noises followed by another 5 or so minutes of a washing machine tackling a heavy load and then, like the previous act, he just walks off. I'm sure to the noise connoisseur this guy is a genius, but after being impressed by the first act's ability to transport me into a movie, I just did not get this at all.

1/5

Neta Polturak

Walking back into the stage room, there's a young woman setting up a bunch of guitar pedals and a drum machine. Neta plays trip hop-y indie by looping both guitar parts and her vocals and combining them with cool break beats. Unlike the previous acts, Neta actually has songs. I got a vibe of Sneaker Pimps, Cocteau Twins and My Bloody Valentine. Like the first act, it was a very chilled out set. She definitely knows how to structure songs. Her 3rd song was particularly impressive. It started very beautiful and atmospheric and then layer upon layer built into something simply quite electrifying. This might not be the kind of thing I would listen to on a daily basis or even deliberately go and see live, but I would definitely recommend this to fans of trip hop, electro and even alt rock to check out.
3.5/5   

   

Reel Dinozeor

Reel Dinozeor consists of Amos, the drummer from young punk band Busha!!, Yam, frontman and guitarist of post-hardcore outfit Lunamore, and Amos' brother Yoel, who as far as I'm aware is not in anything else. Keeping in tone with the rest of the evening, Yam was tonight armed with guitar pedals and made a lot of noise. Amos drummed along as his brother shouted and screamed. This is noise with a live drum kit which I, as a drummer, do admire a tad. Being young, I always give "kids" like these guys credit for even getting off their arses and doing something. I give them credit for being creative and doing something "out of the box". Saying that, I was put off by the drumming. I felt the drumming was too repetitive throughout and too simple. I was hoping at times to hear some cool break beats or heavy industrial beats. Hopefully the more time they have to grow as a unit, more creativity, experimentation and even musicianship will emerge.

3/5