Saturday 25 June 2016

Live Review: Copout/Spit/MooM @ Levontin 7, Tel Aviv [10th June 2016]

After a brief European tour, the hardcore punk trio, Copout, return to Tel Aviv for their 7" release show at Levontin 7. With them, they bring powerviolence noise makers MooM and "straight out of the 80s" hardcore punk/thrash super group Spit. As all the bands play really short songs, this is going to be a quick read!



MooM




As can be seen in previous reviews such as my review of their EP (see here), I absolutely love MooM. They play powerviolence and sludge, similar to the likes of Despise You and EYEHATEGOD. As great as they are on record, they are always more fun to watch live. Sima, like in everything she does, shouts her heart out on stage while the rest of the band play at breakneck speed.
There might be a lot of bands out here that play this kind of style but it is MooM who show the most promise and come off sounding as if they could already be forefathers of the genre. The whole band is just fully into it and it makes for a more enjoyable viewing. Bass player Gad is still a delight to watch due to his stances and faces but it really is a group effort.
It's such a shame that it's early days and they just have a super short set. They basically play the whole of both their First EP and the recently released and cleverly titled Second EP along with 2 brand new song (Lord Of Drug Lords and a currently untitled song) yet the set is still only about 15 minutes long tops. Ancient Scripts is still the most memorable of tracks for me but it's really difficult to soak everything else in when it all goes by so fast. The Nature Of Death and The Death Of Nature somehow manages to have an epic sounding first half and a counter-acting frantic second half and only be a minute long. Its' slow heavy pounding groove mixed with full throttle riffage is just the kind of thing that keeps me on my toes. I'm hoping things look up for them as they are set to embark upon a European tour during the summer. 


5/5


Spit




Leaning more towards old school hardcore punk and crossover thrash, local super group, Spit, take the stage next and yet again zoom through their Poison In Your Head LP from beginning to end. Normally, singer Nadav tends to go crazy and do a lot of weird shit, but tonight he just gets down to business. This only makes the performance a tad less entertaining as he still runs around on stage and the band still play until they sweat buckets. There's a temporary line-up change tonight, as Not On Tour/City Rats drummer Gutzi "sits" in for local vocalist/drummer legend Corey. Despite sometimes starting the wrong song or momentarily forgetting how something goes, Gutzi's drumming is still on point and ridiculously impressive for someone who only had a short amount of time to learn an entire album.

A few crowd members, like myself, are familiar with the material now and are singing along and causing a lot of commotion on the dance floor. I guess that's a job well done, lads! Stand out songs for me are RestartR.A.M.B.OChristchurchKill The Cancer and the epic set closer Flag II


4/5



Copout





With Levontin 7 still not as full as it could be, brothers in arms from Rosh HaAyin, Copout, take stage.

For anyone who hasn't checked out the band's debut record, Spray Paint (see review here), Copout walk in the shadow of bands like Kid DynamiteLifetimeGorilla Biscuits and Black Flag, playing short songs mixing both technical musicianship and punk aggression. The songs are catchy, especially the likes of Oh No! and Where Is Your Mind? which are good sing alongs. The others might still need time to sink into people's heads because they're not as simply structured. 


As the band plays through their set, we hear every song off of Spray Paint, including their cover of the Black Flag song of the same name which is met with a great reception, but also play some currently unreleased tracks. The newer songs such as Disconnect and I Don't Care sound a tad heavier than their other material, almost touching upon Kids Insane-like hardcore in places, which actually works quite well.

In general, the songs do go by quite fast so it's difficult to take everything in. Nevertheless, Nir's tight and heavy drumming, Omer's solid bass lines and Uri's riffs have me nodding my head and tapping my toes while others are dancing at the front and getting pushed around. The boys in Copout are definitely doing something right. Having already gone on tour so early on in their career, their future looks bright.

4/5





Sunday 12 June 2016

Live review: Metaling Ra'anana - REBORN @ HaMartef, Ra'anana [19/05/2016]

Shredhead

Canine

Unleash The Pain

Ages Of Atrophy


Recently, I've found myself actually heading out of Tel Aviv for shows. I've been to Haifa, I've been to Rishon LeZion and now I've come to Ra'anana to yet another HaMartef (The Basement) for a metal show. As well as mainly coming to support old band mates Canine, I've come to check out Ages Of Atrophy, Unleash The Pain and to see Israeli metal legends Shredhead again. As the venue name suggests, I walk down a flight of stairs decorated with luminous strips/paint to what is apparently a form of youth centre. So it's going to be a pretty sober night, folks!



Ages of atrophy





The first band of the night is Tel Avivian deathcore five piece, Ages Of Atrophy. I have a feeling they may not have done much of a good enough soundcheck beforehand. As the band starts up, it's all a bit quiet apart from the ridiculously prominent double kick. In this type of metal, the double kicks are indeed important but this rendered the vocals pretty inaudible at the beginning. May have also been a mic problem which seemed to sort itself out as the show went on.
  As a drummer myself with sensitive ears, I could hear the drummer sometimes losing pace during blast beats but the impressive finger work of guitarists Ran and Gal takes the focus away. 
Although I am not usually into deathcore, I do find myself enjoying the band as the set goes on. Some of the beatdowns get me thrusting my body backwards and forth and smiling. I still find the genre as a whole pretty unimpressive and what Ages Of Atrophy play is nothing new but it does seem to hit a soft spot tonight.


3/5



Unleash The Pain




Another band I've never heard of before, Unleash The Pain, take the stage next in a strange costume of torn white T- shirts. Not entirely sure of the meaning behind all that and what it stands for but it seems to be their thing. Could be considered gimmicky but at the same time it does show them as a "united front", as it were.  
  This is apparently an important occasion for the band. Not only is it a comeback show for them but it is 6 years since the band played their first ever show in the same venue. After some mic issues, the band start blasting out some Killswitch Engage meets Lamb Of God style metal. Everything musically and vocally sounds surprisingly quite polished for a live set. Israel's (vocalist) clean vocals on tracks from their Isolated EP actually sound better live than on record. Maybe time and a lot of practice has helped him develop his vocals even more. 
  As well as their old material, the band preview songs from their upcoming album. At one point, Israel says that the next song is called We're Not Gonna Make It. For a split second, I think it's going to be a Presidents Of The USA cover...but I'm wrong. We get treated to another slab of modern metal with some beatdown/breakdown parts. During the set, the band go amongst the crowd, which is always fun. The crowd seem to lap it up.

  Unleash The Pain is certainly not the most creative name I have ever heard. On top of that, the name suggests a more brutal band. There's a little bit too much melody for them to be worthy of the name. But what's in a name? Anyone heard of We Butter The Bread With Butter




   Unleash The Pain are worth checking out and are definitely at quite a professional level right now which did not come across as pretentious but quite modest. The white t-shirt costume thing might let them down in terms of being taken seriously, but as long as people judge them on the music alone, they might be ok. I'm interested in hearing the new stuff.




3.5/5



Canine 




Ahhh and now it's Canine.  I will admit that I have come today primarily in support of them but they don't really need it. For some years now, the band has had the confidence and the cojones of a big time band that it's as if they don't really need fans at all. The band turn up tonight with conference-style drop down roller banners with their logo on that take up a majority of the stage. The band hasn't even released their first official album or toured out of the country but have already jumped ahead to such on-stage extravagances. All power to them and everything, but it personally seems a bit too much for a fairly unknown Israeli band who are essentially called DOG. 
  Alighting the stage in a professional style, the band kick of their set with Silence Before Chaos, a fairly old song for their repertoire that has still yet to be released. I am familiar with it from my short lived days with the band, so I'm already going nuts at the get go. It's pure Machine Head, for sure, but it's certainly a great opening song and Ben Saada's more Lamb Of God-like vocals gives it a new twist to the song's previous incarnation. 
  The rest of the band's set also includes some songs which are technically old but are set to be released on the upcoming album, whenever that will see the light of day! Some of the songs take on a more Killswitch Engage vibe with the addition of Saada's clean vocals, which seem to have improved with time. The band also do a cover of Faith Or Forgiveness by The Ghost Inside. My knowledge of that band is close to non-existent so I'm not going to pretend like I knew the song or how the cover compared but those familiar with it are shouting along and getting a pit going.
  As well as both on stage and off stage antics from band members, there is a moment in the set which, for me, is quite sweet. Saada speaks about his former band Eyes Sewn Shut and how they once played in that venue...or something along those lines. He even starts reminiscing with former band members who were quietly standing not so far from me and it suddenly makes the evening all that more intimate.
  Finishing their almost hour long set with crowd members singing and dancing along to their last single, Last Words Live Forever, it's hard to say that Canine are not entertaining. They seem to give the people all the metal cliches that they want in a show and are somehow still managing to just float above the line of generic metalcore. An hour is certainly far too long a set for a band still essentially in their early stages but they pulled it off. It is still a shame (personally) that they completely eradicate all material from their more groove-metal influenced Degeneration EP, but it's a sign of maturity, I guess.





3.5/5




Shredhead 






  Although Canine may seem like the main act of the night, it's Israeli thrash heavyweights Shredhead who take stage to finish things off. I've seen the band once or twice before but it has been mostly to a much larger crowd than this. This is a teen friendly venue in Ra'anana, to be fair, so maybe most of their beer drinking fans from Tel Aviv and elsewhere didn't see the point in travelling over for this. It's a big shame because Shredhead have both the presence and material worthy of a bigger crowd.

  Due to being the end of the night, I will admit that I am unable to recollect particular moments of the set but did find myself really getting into them for the first time. In a world full of attempted metalcore, Shredhead keep things thrashy with added elements of groove metal. With a set almost exclusively made up of tracks from their 2015 Death Is Righteous album, such as set opener LPBZ, the Pantera-like Last Words Are Lost and crowd pleaser Devil's Race, the 5 piece also play a brand new song and classic track from the Human Nature album, Knife In A Gunfight. The latter really gets the die-hard fans headbanging, finger pointing and shouting along. 



 For a headline act, Shredhead's set feels quite short but I think that's a good thing. It leaves the people wanting more and forces them to come to more shows in the future. I certainly wouldn't mind watching them again with more material as I am impressed at how they still manage to come off as current while playing pretty old school styles. It also makes me want to start listening to them more regularly.



4/5

 Well done to Yam Yaffe for putting on a great night. I've come away with some new bands to like and a newfound admiration for Shredhead.


Photos for Ages Of Atrophy, Unleash The Pain and Canine by Shahar Gino.